The Good Showman

The Greatest Showman (2017) may have earned a 54% on Rotten Tomatoes (Branding the film as ROTTEN) however it has struck a chord with audiences grossing over $237 million worldwide (against an $84 million production budget). The majority of people I know who have seen the film absolutely love it and have seen it multiple times; it’s great to see how the film has had such an impact and brought joy to people.

The reason for this blog post is because I’ve heard people raving about The Greatest Showman and some have even compared it to the Oscar winning La La Land (2016) by saying it’s a stronger musical. To set the record straight I did like The Greatest Showman but if people suggest that it is a better musical than La La Land...then I don’t know what else to say than in my opinion it’s not. First of all they are different films but if I had to compare La La Land is my favourite of the two.

I’ll start by saying what I enjoyed about The Greatest Showman: the soundtrack is a solid effort from Oscar winners Benj Pasek and Justin Paul delivering some standout original songs. I love the Golden Globe winning/Oscar nominated song “This Is Me”, “The Greatest Show”, “The Other Side”, “Never Enough” and “Rewrite the Stars”. The positive thing about this film is that it is assured in its identity as a musical that is meant to inject joy into audiences, it doesn’t try to be anything else and is clear in what its meant to be.

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Secondly, Hugh Jackman (who was nominated a Golden Globe for his role as P.T. Barnum) carried the film effortlessly on his shoulders. You can understand why because he was passionate about the role even to the point where he was involved in getting the project made for seven years! Hugh is no stranger to musicals on screen (he was nominated an Oscar for his performance in Les Miserables – 2012) and he relishes in bringing P.T. Barnum to the screen to bring audiences together for a fun ride.

Lastly it’s great how the film explores the themes of acceptance and embracing everyone from all different walks of life (which is encapsulated so well in the song “This Is Me”). Whilst it may have been done in a sugary affair, it’s still an important theme and a one that I believe has resonated with audiences, especially in such a divided world.

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However, the difference between La La Land and The Greatest Showman is that the former is stronger in every area of the film whereas the latter may be strong in its identity as a musical but as a story and character development it’s lacking. I understand you can’t approach The Greatest Showman as a full on biopic otherwise it may be a more morbid affair but in being brash in its musicality it does suffer from there being any grounded nature to the film and in turn it feels more lightweight. The film is definitely more about the songs than anything else. Also to compare numbers: La La Land grossed over $446 million worldwide (against a $30 million budget) and scored 92% on Rotten Tomatoes (Branding the film as FRESH). On top of wowing audiences AND critics the film had a clean sweep at the Golden Globes winning seven awards (the most won by a single film) and won six Academy Awards last year.

Now with La La Land it’s more intimate as it follows mainly two characters: Mia (Oscar winner Emma Stone) and Sebastian (Oscar nominee Ryan Gosling) in their relationship and their journey of trying to follow their dreams. The film starts off strong in embracing its identity as a musical with big songs such as “Another Day of Sun” and “Someone In The Crowd” however it doesn’t shy away from having tonal shifts to embrace the more real elements of life without it feeling jarring.

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I love how it is a full on musical but also an more focused film in terms of pacing and character study. The film evolves at its own pacing which doesn’t feel forced or rushed and then it becomes more about the decisions the characters have to make about their futures and reviewing their hopes and desires. One of my favourite scenes is when Sebastian surprises Mia with a meal when he comes home from tour, it’s a conversational scene where everything is explored (regarding where they’ve come from and where they hope to be in the future) that becomes an argument in a very mature and organic way. The dialogue doesn’t feel overtly sentimental or emotional, the tone is just right. The film can be strong in its musical scenes as well as its character scenes.

Also I love how throwback La La Land is, it has a strong Singin’ in the Rain (1952) vibe and the jazz infused soundtrack is classic and beautiful. Even the instrumental tracks are soothing and exciting, especially the “Epilogue” score. The Oscar winning cinematography is stunning with the vibrant colours and and striking settings (most notably when Mia and Sebastian first dance together after the party they’ve been to and when inside the Planetarium).  Not to mention the incredible Epilogue scene which was very bittersweet, giving the audiences what could have been whilst being bold by saying life doesn’t always go as planned.

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At the end of the day it’s all subjective and down to personal taste. For me The Greatest Showman was a good musical, but nothing more. Where as La La Land for me has so many layers, classic songs and visuals and Oscar winning acting/direction/cinematography. They are both different films in what they are representing and to both of their credit they are original musicals which is always welcome. By all means say how much you enjoyed The Greatest Showman but personally I don’t think it’s the masterpiece audiences have made it out to be.

Feel free to share your opinions!

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Top 10 Films of 2017

2017 has been an interesting year for film. It has been a strong year for original films such as Get Out and Baby Driver yet a disappointment when it comes to hyped up blockbusters (with Wonder Woman being the exception). So compiling a list of my favourite films released in 2017 was a tricky one but it made me see that it’s been a great year for independent films and films that have an original story.

Now just to clarify, this list features films released in the UK during the year of 2017. Another disclaimer is that I of course haven’t watched every film released in the UK during the year of 2017 meaning if you think there is an omission from the list it may be because I haven’t watched it.

I’ll start from number 10 and count down to reveal which film I would label as the best film of 2017.

 

10. Get Out

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I was a bit skeptical about this film as I tend not to draw towards horror films so I didn’t see it when it was released in cinemas. However by the critical acclaim and positive responses from audiences that deemed it more than just a “horror film” but a film with a clear message and that had something to say. So when I watched it I was pleasantly surprised how it broke through the label of a “horror film” and managed to make people think and engage in dialogue after the film had finished. Get Out could have been fleshed out a little bit more but I commend the film on its originality and its boldness.

9. The Killing of a Sacred Deer

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The Lobster (2015) was awful. However when I heard Oscar winner Nicole Kidman was in Yorgos Lanthimos’ new film I kept an open mind to this film; not to mention the trailer and concept of the film seemed mysterious and fascinating. It may not be for everyone, but I love and appreciate Yorgos’ assertiveness as a filmmaker and the fact he has a clear vision and does not compromise. The film can be hard to watch at times and is “out there” but it works in this film and all the cast pull it off brilliantly. Speaking of star performances; Barry Keoghan was so good in this film and played the enigmatic character of Martin so well. If you want to switch up your film taste and watch something unconventional; The Killing of a Sacred Deer is perfect for you.

8. mother!

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Again, a very unique and unconventional film. mother! has had a lot of controversy and attention for a whole load of reasons and I knew going into it that the film would be nothing like I’ve seen…but I think if people stood back and took a breath there is something here and something to be admired and appreciated. Oscar winner Jennifer Lawrence can do no wrong; she plays against character at the start and then she comes into her own as the film progresses and when it escalates very quickly. Oscar nominated director Darren Aronofsky is unapologetic about his vision and what he wants to say and that’s what I admire about him and appreciate about this film. This is not a film that you love or hate, it’s a film that provokes an audience. It’s refreshing to see a film go against the mould of the current state of the film industry be proud about it.

7. Thor: Ragnarok

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One of the few blockbusters that I actually enjoyed this year. I have a love/hate relationship with Marvel nowadays because they have become so convoluted; yet Thor: Ragnarok felt fresh and more concise than previous MCU entries. Hunt for the Wilderpeople (2016) director Taika Waititi brings his fresh and colourful sense of humour to this film to make it stand out. Yes this film does feature that forced Marvel sense of humour but the scenes in particular with Thor and The Hulk are ripe with Waititi’s witty dialogue. We have to talk about Oscar winner Cate Blanchett who easily stole the show (I’m praying for a spin-off film of her character Hela) and is hands down one of the best Marvel villains to date. So if you’ve grown tired and weary from the MCU (and I don’t blame you) give this film a chance.

6. Lion

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Inspiring. That’s all I need to say about Lion. The first half containing a phenomenal performance from first time actor and one of the cutest child actors ever: Sunny Pawar playing young Saroo. Then comes along Oscar nominee Dev Patel who plays adult Saroo and gives a career best, not to mention he holds up his own in scenes against Oscar winner Nicole Kidman and Oscar nominee Rooney Mara. This film is full of heartbreak and joy, featuring themes of belonging and identity. Lion is an inspiring story that you can’t believe is true.

5. The Beguiled

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Oscar winner Nicole Kidman. Golden Globe nominee Kirsten Dunst. Elle Fanning. Oscar winner Sophia Coppola directing. These are reasons enough to watch this film. Sophia knows how to make a lean and clean cut film that gives enough tension and mystery without it becoming self indulgent. That’s all I need to say about this film. Basically it’s really good.

4. Wonder Woman

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One of the few blockbusters that actually was quality and had substance. Gal Gadot is perfect as Diana; so authentic and natural in her performance and with her character standing up for what’s right and not accepting anything else but justice. One of the most refreshing superhero films in a long time; because for once it was a superhero film solely about the eponymous character and not featuring a million other superheroes. Patty Jenkins directed an incredible film that focused purely on Diana coming from an island of perfection and having the character evolve as the film progressed to have a rounded and more balanced view of humanity and what her purpose in life is. Three words: No Man’s Land.

3. Baby Driver

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Edgar Wright delivers one of the most vibrant and exciting original films of the year. Golden Globe nominee Ansel Elgort charismatically carries the weight of the film on his shoulders with notable supporting forces from Oscar winner Jamie Fox and Lily James. Baby Driver has you thinking it’s one thing but then it swerves in a different direction. The whole vibe of the film is so cool and smooth and will definitely stay with you after you watch it.

2. La La Land

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La La Land is reminiscent of Hollywood musicals such as Singin’ in the Rain (1952) and yet is relevant to todays audience, enabling it to have its own identity. The film features one of the best soundtracks from Justin Hurwitz, Benji Pasek and Justin Paul but the genius of the film is how it is very character driven and how the tone of the films is effortlessly handled as the film progresses. This Oscar winning, instant classic, musical masterpiece has depth and fully rounded characters and is a film that you have to watch right now.

1. Blade Runner 2049

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As soon as I watched this film I knew it would be my favourite film of the year. Oscar nominee Ryan Gosling is of course a great actor but I have to say, he gives one of his best performances in Blade Runner 2049. He’s a very internal actor and everything is said through his facial expressions and that’s a powerful tool to master. In a year where I’ve been let down by blockbusters, Blade Runner 2049 came along and showed everyone how it should be done: thought provoking, sophisticated, creating the right tone and pace and having a great story. Yes the film is nearly 3 hours long but it was very engrossing and captivating that it didn’t feel that long at all. Denis Villeneuve always has great quality and class to his films, which is why he was the right director for the job to carry on the legacy of Blade Runner (1982). I was always excited for this film but it exceeded my expectations and I’m happy to say that Blade Runner 2049 was my favourite film of 2017.

Now I’m being picky but the reason why La La Land didn’t make number 1 was because whilst it was released in the UK in 2017 its original release was in 2016. It made the list but Blade Runner 2049 was released in October 2017 and therefore is a worthy number 1. 

 

So there you have it. I have given an overview of my favourite films of 2017 and I’m already looking forward to what 2018 has to offer.

Please feel free to comment on what your favourite films have been this year!

3 Standout Blockbusters Of 2017

2017 has so far led me to become a blockbuster cynic who can only enjoy art house films, however there have been a few blockbusters that may save me from that fate. I truly believe that a great film can be delivered in the form of a high budget product because at the end of the day as long as the story and characters are engaging then that’s all that matters. Blockbusters can have depth or they are designed to switch off your brain and just enjoy them for what they are.

Here are three blockbusters that stood out for me this year for various reasons:

The Film X-Men Origins Should Have Been

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Now I’m going to say something controversial: I actually enjoyed X-Men Origins: Wolverine (2009). It’s a fun, standard blockbuster. However unfortunately it is highly regarded as an embarrassment of the X-Men franchise; so that’s why I say Logan is the film that I’m sure people feel best portrayed Wolverine. So we’ve had the false start, the better but still not perfect Wolverine (2013) so in 2017 we see Hugh Jackman let go and embrace the character of Wolverine completely.

When I heard that Logan was going to be stripped back, showing “Old Man Logan” and that it was going to intentionally stand apart from the typical comic book film, I was excited. Finally a comic book film was going to take a risk and show how much can be achieved within the genre.

Logan was a solid effort which not only proved that a superhero film can have depth and be complex, but it also was a credible film in its own right. It was refreshing. That’s why I’m including Logan in this blog post about how it was a standout blockbuster, yet there was something in me from raving about it. This is not a criticism, but it by being very purposeful in being something else it almost felt calculated. Not to mention that the film could have shaved some time off because towards the end the heavy tone started to take a toll.

Overall, I still respect that director James Mangold and leading start Hugh Jackman stood out and were bold and took a risk with this film. I can’t fault them on that and that’s why I like the film. Hopefully it’ll inspire other comic book films to show the scope that you can cover within that “genre”. It certainly has worked as Logan has grossed over $612 worldwide and has received a 93% Rotten Tomato rating, what a great way to see Hugh Jackman wave goodbye to a role of a lifetime.

Fast and Furious 8

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I didn’t even come up with a witty subheading, that’s how easy going and fun Fast and Furious 8 is. I’ve always been cynical of the Fast and Furious franchise for being hollow and brainless (and this is coming from the guy who enjoyed the Michael Bay directed Transformers films), so I stayed away from the film series with no plan to watch them. However, after viewing the eighth instalment with a friend I was happy to be proven wrong. It was fun, brash, crazy, exciting and even though the characters weren’t exactly fleshed out they were formed in a way that allowed us as an audience to care for them and invest in them.

Up until that point no blockbuster this year allowed me to completely let go and suspend my disbelief to enjoy the ride. Does the franchise deserve to gross over $1 billion worldwide? maybe not. That being said, the reason why fans have responded to these films are because these films are the essence of what a blockbuster should be: crazy action and a true form of escapism. I have to give credit to Vin Diesel to producing a film series that has connected with audiences all across the world, not taking things too seriously and just having fun with these characters and crazy adventures.

Winning Wonder Woman

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76 years later after the world was introduced to Wonder Woman and she FINALLY has graced the big screen with her first solo film. After stealing the show from last years Batman v Superman: Dawn of Justice (2016), fans were eager to see her lead her own film and it’s safe to say DC have a winner film on their hands. Already the film is breaking box office records and holds a 93% rating from Rotten Tomatoes. Wonder Woman has grossed over $100 million at the US box office which was the biggest weekend opener for a female director (Patty Jenkins), hopefully this will be a step in the right direction for equality of female representation in film and behind the camera.

Without a doubt Wonder Woman is not only the best blockbuster of 2017 but one of the best superhero films in over 5 years. It was refreshing to see a standalone superhero film which allowed the leading character carry the film solo and completely smash it in the process, I think the last time there was a true standalone superhero film was probably The Dark Knight Rises (2012). Gal Gadot is beyond perfect as Diana, showcasing her amazing acting talent portraying Diana’s incredible character arc with conviction and depth. Diana stands for love, justice and peace and I loved key moments where she didn’t take things lying down but stood up for what she believed in and didn’t think twice about helping others. The action scenes were slick, empowering and epic.

Fast and Furious 8 may be the blockbuster where you switch your brain off and have fun, but Wonder Woman is a blockbuster with heart, depth, emotion AND epic fight sequences and is a true spectacle. It is possible to make a blockbuster with thrills audiences but is also thought provoking and empowering for all. I’m enjoying this moment seeing a superhero film with just one superhero at front and centre before Justice League and co. take over (I am looking forward to Justice League but it’s a sad thought not knowing when the next standalone superhero film will be released).

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The exciting thing to note is that we still have the second half of 2017 to go in order to see what kind of blockbusters will be released. Even if it becomes a rubbish year for blockbusters overall (I doubt it) then at least 2017 gave us Wonder Woman.  

4 Biggest Blockbuster Disappointments Of 2017

 

We’re approaching the halfway mark through the year so I thought it would be appropriate to review the blockbusters that have been released in 2017, sadly it hasn’t been a great year. 2017 isn’t over yet so we still have some potential saving graces in the form of Wonder Woman, Justice League, Star Wars: The Last Jedi, Thor: Ragnarok etc. however I have to say that certain blockbusters that I have seen have not lived up to the hype.

If you want to look at 2017 UK film releases then you would include the multiple award winning films which have been my favourite films of the year, such as: La La Land, Moonlight, Lion, Jackie, Manchester By The Sea, Hidden Figures etc. and thank goodness for these beautiful films as I am starting to lose hope for big budgeted releases. I hope by the end of the year I am proven wrong and can say that great storytelling can be seen in all type of films.

Boring and the Beast

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Let’s start off with one of the most underwhelming and highly overrated release: Beauty and the Beast. Firstly let me state that I am supportive of Disney giving their animated classics the live action treatment (as discussed in my previous post)however with the release of Beauty and the Beast; originality and creativity died and instead it assured Disney to play it safe with their upcoming live action releases. I was excited for the film before its release and I was rooting for Emma Watson as I thought she’d be perfect as Belle, however because the live action took no chances there was no room for mystery and excitement of what was to come in the film.

Interestingly enough the film has become a huge success, which sadly gives Disney permission to keep on playing it safe. The film has revived positive reviews (71% from Rotten Tomatoes) and the film has grossed over $1.2 billion worldwide making it the 10th highest grossing films of all time. Obviously the film has resonated with audiences, so I will respect those who loved the film however I can’t understand how this film has entered the top 10 of the most successful films of all time. I think I’ll stick to the original 1991 animation.

The NOT So Awesome Mix-Tape

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I loved Guardians of the Galaxy (2014) and so did everyone else as the film became a fan favourite and raked in $773 million worldwide. It was unapologetic in how it delivered on the fun and it was an antidote to the ‘serious superhero film’. The sequel had a lot to live up to following the surprise smash hit first film.

After an exhaustive marketing campaign for the sequel the hype and excitement to see the film wore off, but I still wanted to see the film and I really wanted to enjoy it…yet it failed to deliver on the fun and thrills. It went down the cliche route that sequels tend to go down, take what was funny in the first film and crank it up to the highest volume. The comedy was too obvious and stupid at times. I liked Groot in the first film but did I really need to see a baby Groot figure out how to play music against the backdrop of a potentially cool action sequence? and the story was pretty underwhelming. That being said, there were some good some small moments between Gamora and Nebula as well as Yondu and Rocket, these moments allowed for some character development and appreciation. Also I think that Ayesha the Golden Priestess was underused and could have been the main villain.

Of course the film has become a huge success and has grossed over $799 million worldwide (and counting) as well as receiving positive reviews (81% from Rotten Toamtoes)so again there has been a disconnect from what audiences have felt and how I have responded to the film. However despite the fact the sequel wasn’t my favourite Marvel film I am excited for the third film and it will be interesting to see the characters in the upcoming Avengers films, so I haven’t given up on the Guardians of the Galaxy just yet.

Alien: The Pretend Sequel To Prometheus

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I will hold my hands up and say I am not a die hard Alien fan, however I have seen Alien (1979), Aliens (1986) and Prometheus (2012) so I am familiar with the franchise. With Covenant promising to return to the horror element I was interested to see how this film would continue on with what was set out from Prometheus and how it would adopt a grittier and darker style from the previous Alien films. That was the problem, Ridley Scott has openly admitted that Covenant was addressing what die hard Alien fans disliked about Prometheus, basically because there was no huge weird alien lurking round a spaceship. When I watched Prometheus I hadn’t seen any Alien film and that was the time when marketing was saying how the film was not meant to be a direct prequel but a standalone film in the same universe, so I thought I was safe in watching it without feeling left out. Then all of a sudden it WAS part of the Alien franchise, meaning Covenant had to make some major changed to please Alien fans.

Covenant was released 5 years after Prometheus because they were trying to figure out whether to make a direct sequel to Prometheus or give in and be openly part of the Alien world. I was really looking forward to see Dr. Elizabeth Shaw meet the Engineers and find out questions that were posed in Prometheus, the tone of Prometheus was slick and futuristic but no without it’s shocking moments. All I got was some 5 minute YouTube video featuring Shaw and David and limp references to the “failed Prometheus trip”. I think that’s one of the main reasons why I didn’t love Covenant, because it tried to jump full throttle ahead of what was started in Prometheus and tried to connect this film to the Alien universe. However, I enjoyed some moments and Katherine Waterston was the best part about Covenant, and with THAT ending I’m definitely interested to see what Ridley Scott has planned for future instalments.

Kong: The Unnecessary Remake

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For me the ultimate King Kong film is the 2005 remake directed by Oscar winning director Peter Jackson. I remember seeing that film in the cinemas when I was 12 and being blown away, scared and emotionally invested in what was happening in the film. I had to except that a new King Kong was inevitable as it’s not restricted to the 1933 classic nor the 2005 remake but it is a cultural pop icon meaning each generation will revisit the character. That being said I still didn’t see the point of a new Kong film, but that’s just my personal opinion.

I have to give credit to the 2017 film as it was doing its own thing and it wasn’t a remake of any Kong film, that at least allows itself to be set apart and judged on its own merit. The other factor which excited me was how it was set against the backdrop of 1970’s Vietnam war meaning it would be a colourful and vibrant take on the classic monster character. Not to mention a great cast consisting of Oscar winner Brie Larson, John Goodman, Samuel L. Jackson, Tom Hiddleston John C. Reilley etc. However what also retracted me from being full on excited for the film was how it was intended to be part of yet another cinematic universe.

Despite my reservations I have to say I was willing to go in with an open mind and enjoy the film, sadly I was right in not believing in the film. The script was so weak and it was painful seeing brilliant actors deliver superficial and unimagined lines, the story wasn’t engaging and the characters weren’t exactly three dimensional. Yes it’s not a type of film where it requires deep exploration of character however even if it’s up to a popcorn film level standard there has to be some reason to invest and care for any character, sadly I could not have cared less about the fate of the characters. I was most disappointed in Brie Larson as it was such a superficial role that it didn’t live up to the whole ‘having a three dimensional female character in a blockbuster film’, of course it was sad to see them all play uninspired characters.

Again, a blockbuster I didn’t like made money and critics had good things to say about the film; grossing $565 million worldwide and received a 77% rating 77% rating from Rotten Tomatoes.

The only thing I took away from the 2017 version was to watch the Oscar winning 2005 version.

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Hopefully with the release of the already positively reviewed Wonder Woman and future releases in the form of Thor: Ragnarok and Star Wars: The Last Jedi we can reflect upon the year and say there were some standout blockbusters in 2017.

For the next blog post I’ll be writing about the few blockbusters that have actually caught my interest, there’ll be a few surprises in there for you of which blockbusters I loved this year.

Beauty and the Beast (2017) Film Review

3/5 stars

Unless you’ve also been trapped in Beast’s castle then you’ll know that Disney are hard at work by revisiting their animated classics in live action format. This can be traced back to the billion dollar grossing Alice in Wonderland (2010) which was followed by Maleficent in 2014. Not crediting Cinderella (2015) completely to Disney’s now traditional approach to revisiting its animated classics, however since then we’ve seen Disney take less risks with remaking its animations.

Ever since the beginning of 2015 when Emma Watson was cast as Belle in the live action Beauty and the Beast, the hype has been high and audiences have been eagerly awaiting Disney’s new interpretation of it’s 1991 classic. For years I’ve been looking forward to this film, but months before once all of the promotional material was being released I had this sense that it wouldn’t be the grand and extravagant remake I was hoping for…sadly I was right.

TALE AS OLD AS TIME

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Starting with the positives I thought the film looked the part. Visually it was eye catching and I thought they captured the look and vibe of the original quite well. The characters of Lumière, Cogsworth, Mrs. Potts, Chip etc. were all effortlessly integrated with the live action characters (something I felt that The Jungle Book – 2016 failed to do with its CGI animals and live action characters) and I thought those characters were fun to watch and it wasn’t a huge let down from the animated versions of these characters.

With $462 million worldwide (against a $160 million budget) at the Box Office (so far) and with a 70% rating on Rotten Tomatoes, fans are clearly loving this film (for some reason). It is a tale that is as old as time (1991 feels like a century ago to most people) and since the animation’s release it has always been a part of people’s childhoods and it has grown up with people still retaining it’s relevant and popular appeal. My worry is that now Disney see that being unoriginal and not taking chances works, they’ll rehash it’s upcoming live action adaptations. I guess from a business point of view fair enough but where are the visionaries that want to do something exciting and new meaning that it can stand side by side with the originals and now replace them.

GASTON THE MOVIE: FEAUTRING BEAUTY AND THE BEAST

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If I had to single one performance out as the most committed and most convincing it was Luke Evans as Gaston. He played the arrogant bachelor to perfection, down to his singing and characterisation it was flawless. Out of all the cast I felt Luke Evans was the only one who gave 100% and the scenes with him in were more exciting than others…and that’s saying something when you’re meant to be watching the film for the leading performances of Belle and Beast.

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Speaking of the cast; Emma Watson is a great actress (she was amazing in Perks of being a Wallflower -2012 and The Bling Ring – 2013) and on paper she IS Belle. However, there were moments (especially the first half or so) where her performance felt half hearted. I know she’s singing about how everyone are peasants and she’s superior to everyone but even the animated Belle seemed more kind to the locals and in general the animated Belle was more fun to watch. It was rise and fall with Emma’s performance; the iconic ballroom scene and when she goes back to her provincial town to rescue her father were the highlights of her performance. She wasn’t bad but I expected more from her (no offence but after watching her performance as Belle I’m happy she dropped out of La La Land – 2016 for Oscar winner Emma Stone to replace her). I would say Dan Stevens as the Beast was slightly better with his performance, but I would argue that the animation team who worked on his look did an amazing job of effortlessly blending his character with the live action characters. Overall, not exactly the most exciting leading couple that have graced our screens.

TAKE CHANCES

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I will be that person that says that the animation is far more superior than the 2017 live action remake. The original is more atmospheric, dramatic, emotional, heartwarming and grand in everything from its characters to the look of the film. In 1992 Beauty and the Beast became the first animation to be nominated an Oscar for Best Picture, I seriously doubt this new version will have anywhere near that same impact today. This is why it should have done differently so that it honours the original but offers something new to today’s audience. Scenes like when Belle runs on the hill and sings, Beast offering Belle the library, even the iconic ballroom dance scene etc. were adapted half heartedly and it almost felt like they were just there because the audience were expecting them to feature in the film. The animation did all of those scenes and more with a sense of grandeur and wonder. The danger rehashing everything from the animation is the audience knows what to expect so there’s no sense of mystery and wonder.

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I understand that director Bill Condon was unapologetic about honouring the 1991 animation with only the addition of a few new songs (which added nothing new to the film) and Emma Watson’s few tweaks (which were hardly revolutionary to the character) however I would have loved it if Disney took a risk and brought something new to the table. The reason why Alice in Wonderland (2010) and Maleficent (2014) worked so well, in my opinion, was because they took a new approach to a tale that in embedded in our brains from childhood. I have no issues with remakes, only if they offer something unique and something that is worth watching again in a different format. I would have loved to see Guillermo del Toro’s version as he definitely would have bright a refreshing take of a tale so universally known and loved. Sadly he departed from the project a few years ago making way for Bill Condon to direct his unoriginal remake.

I’ve heard about a live action update for several years and I thought the decision to approach the remake in a more traditional manner was more down to the the success of Cinderella (2015) however I read that Bill Condon decided to take less chances after the success of Frozen (2013):

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“Before I arrived, they were rethinking Beauty and the Beast more radically, more like Snow White and the Huntsman. There was a lot of conversation about the War of the Austrian Succession that didn’t interest me. But then after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially they said, “We’re interested in a musical to a degree, but only half full of songs.” My interest was taking that film and doing it in this new medium — live action — as a full-on musical movie. So I backed out for a minute, and they came back and said, “No, no, no, we get it, let’s pursue it that way.” 

Even without Guillermo del Toro we could have seen a more radical and exciting version of Beauty and the Beast, because the story is far bigger than Disney itself so why not try something new?

I’ve expressed my fears for what impact the success of this film may have, however overall I would say it’s a enjoyable film which is easy and fun to watch. But it’s worrying that 26 years later Disney we’re basically seeing Disney revisit their greatest hits in the most unoriginal way possible. My advice is watch this film so you can tick it off your list, it’s not a total waste of your time, but please watch the original animation as it’s far more impactful than the 2017 version.