4 Biggest Blockbuster Disappointments Of 2017

 

We’re approaching the halfway mark through the year so I thought it would be appropriate to review the blockbusters that have been released in 2017, sadly it hasn’t been a great year. 2017 isn’t over yet so we still have some potential saving graces in the form of Wonder Woman, Justice League, Star Wars: The Last Jedi, Thor: Ragnarok etc. however I have to say that certain blockbusters that I have seen have not lived up to the hype.

If you want to look at 2017 UK film releases then you would include the multiple award winning films which have been my favourite films of the year, such as: La La Land, Moonlight, Lion, Jackie, Manchester By The Sea, Hidden Figures etc. and thank goodness for these beautiful films as I am starting to lose hope for big budgeted releases. I hope by the end of the year I am proven wrong and can say that great storytelling can be seen in all type of films.

Boring and the Beast

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Let’s start off with one of the most underwhelming and highly overrated release: Beauty and the Beast. Firstly let me state that I am supportive of Disney giving their animated classics the live action treatment (as discussed in my previous post)however with the release of Beauty and the Beast; originality and creativity died and instead it assured Disney to play it safe with their upcoming live action releases. I was excited for the film before its release and I was rooting for Emma Watson as I thought she’d be perfect as Belle, however because the live action took no chances there was no room for mystery and excitement of what was to come in the film.

Interestingly enough the film has become a huge success, which sadly gives Disney permission to keep on playing it safe. The film has revived positive reviews (71% from Rotten Tomatoes) and the film has grossed over $1.2 billion worldwide making it the 10th highest grossing films of all time. Obviously the film has resonated with audiences, so I will respect those who loved the film however I can’t understand how this film has entered the top 10 of the most successful films of all time. I think I’ll stick to the original 1991 animation.

The NOT So Awesome Mix-Tape

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I loved Guardians of the Galaxy (2014) and so did everyone else as the film became a fan favourite and raked in $773 million worldwide. It was unapologetic in how it delivered on the fun and it was an antidote to the ‘serious superhero film’. The sequel had a lot to live up to following the surprise smash hit first film.

After an exhaustive marketing campaign for the sequel the hype and excitement to see the film wore off, but I still wanted to see the film and I really wanted to enjoy it…yet it failed to deliver on the fun and thrills. It went down the cliche route that sequels tend to go down, take what was funny in the first film and crank it up to the highest volume. The comedy was too obvious and stupid at times. I liked Groot in the first film but did I really need to see a baby Groot figure out how to play music against the backdrop of a potentially cool action sequence? and the story was pretty underwhelming. That being said, there were some good some small moments between Gamora and Nebula as well as Yondu and Rocket, these moments allowed for some character development and appreciation. Also I think that Ayesha the Golden Priestess was underused and could have been the main villain.

Of course the film has become a huge success and has grossed over $799 million worldwide (and counting) as well as receiving positive reviews (81% from Rotten Toamtoes)so again there has been a disconnect from what audiences have felt and how I have responded to the film. However despite the fact the sequel wasn’t my favourite Marvel film I am excited for the third film and it will be interesting to see the characters in the upcoming Avengers films, so I haven’t given up on the Guardians of the Galaxy just yet.

Alien: The Pretend Sequel To Prometheus

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I will hold my hands up and say I am not a die hard Alien fan, however I have seen Alien (1979), Aliens (1986) and Prometheus (2012) so I am familiar with the franchise. With Covenant promising to return to the horror element I was interested to see how this film would continue on with what was set out from Prometheus and how it would adopt a grittier and darker style from the previous Alien films. That was the problem, Ridley Scott has openly admitted that Covenant was addressing what die hard Alien fans disliked about Prometheus, basically because there was no huge weird alien lurking round a spaceship. When I watched Prometheus I hadn’t seen any Alien film and that was the time when marketing was saying how the film was not meant to be a direct prequel but a standalone film in the same universe, so I thought I was safe in watching it without feeling left out. Then all of a sudden it WAS part of the Alien franchise, meaning Covenant had to make some major changed to please Alien fans.

Covenant was released 5 years after Prometheus because they were trying to figure out whether to make a direct sequel to Prometheus or give in and be openly part of the Alien world. I was really looking forward to see Dr. Elizabeth Shaw meet the Engineers and find out questions that were posed in Prometheus, the tone of Prometheus was slick and futuristic but no without it’s shocking moments. All I got was some 5 minute YouTube video featuring Shaw and David and limp references to the “failed Prometheus trip”. I think that’s one of the main reasons why I didn’t love Covenant, because it tried to jump full throttle ahead of what was started in Prometheus and tried to connect this film to the Alien universe. However, I enjoyed some moments and Katherine Waterston was the best part about Covenant, and with THAT ending I’m definitely interested to see what Ridley Scott has planned for future instalments.

Kong: The Unnecessary Remake

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For me the ultimate King Kong film is the 2005 remake directed by Oscar winning director Peter Jackson. I remember seeing that film in the cinemas when I was 12 and being blown away, scared and emotionally invested in what was happening in the film. I had to except that a new King Kong was inevitable as it’s not restricted to the 1933 classic nor the 2005 remake but it is a cultural pop icon meaning each generation will revisit the character. That being said I still didn’t see the point of a new Kong film, but that’s just my personal opinion.

I have to give credit to the 2017 film as it was doing its own thing and it wasn’t a remake of any Kong film, that at least allows itself to be set apart and judged on its own merit. The other factor which excited me was how it was set against the backdrop of 1970’s Vietnam war meaning it would be a colourful and vibrant take on the classic monster character. Not to mention a great cast consisting of Oscar winner Brie Larson, John Goodman, Samuel L. Jackson, Tom Hiddleston John C. Reilley etc. However what also retracted me from being full on excited for the film was how it was intended to be part of yet another cinematic universe.

Despite my reservations I have to say I was willing to go in with an open mind and enjoy the film, sadly I was right in not believing in the film. The script was so weak and it was painful seeing brilliant actors deliver superficial and unimagined lines, the story wasn’t engaging and the characters weren’t exactly three dimensional. Yes it’s not a type of film where it requires deep exploration of character however even if it’s up to a popcorn film level standard there has to be some reason to invest and care for any character, sadly I could not have cared less about the fate of the characters. I was most disappointed in Brie Larson as it was such a superficial role that it didn’t live up to the whole ‘having a three dimensional female character in a blockbuster film’, of course it was sad to see them all play uninspired characters.

Again, a blockbuster I didn’t like made money and critics had good things to say about the film; grossing $565 million worldwide and received a 77% rating 77% rating from Rotten Tomatoes.

The only thing I took away from the 2017 version was to watch the Oscar winning 2005 version.

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Hopefully with the release of the already positively reviewed Wonder Woman and future releases in the form of Thor: Ragnarok and Star Wars: The Last Jedi we can reflect upon the year and say there were some standout blockbusters in 2017.

For the next blog post I’ll be writing about the few blockbusters that have actually caught my interest, there’ll be a few surprises in there for you of which blockbusters I loved this year.

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And The Oscar Goes To…(The 2017 Edition)

And that’s a wrap. Another year of awards season has come to a conclusion and what a conclusion it was. The 89th Academy Awards was one of the most exciting and memorable Oscar shows I have seen. I like Jimmy Kimmel and didn’t think he’d do a bad job but I didn’t realise how brilliant he’d be; he was so on point and hilarious with sharp with and really knew how to keep the audiences interest.

I’m also excited because there was quite a diverse range of films being honoured; La La Land received some big awards but so did Moonlight. Most of the winners I was so happy with and somethings it’s good for it to turn out the way you hoped but then there are some surprises which you have to go along with and are also happy about. I have to say on a less serious note I’m actually excited Suicide Squad is now an Oscar winning film, I’ll take anything for that film because I really enjoyed it.

LA LA LAND (6 WINS)

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  • Best Director (Damien Chazelle)
  • Best Performance by an Actress in a Leading Role (Emma Stone)
  • Best Score (Justin Hurwitz)
  • Best Original Song “City Of Stars” (Justin Hurwitz, Benj Pasek and Justin Paul)
  • Best Cinematography (Linus Sandgren)
  • Best Production Design (Dave Wasco and Sandy Reynolds-Wasco)

La La Land has been the front and centre during this awards season. Winning a record breaking 7 Golden Globes last month to grossing $369 million worldwide against a budget of $30 and receiving critical acclaim with score of 93% by Rotten Tomatoes, La La Land has caught people’s attention to say the least.

I am so thrilled for Emma Stone who gave such a memorable performance showcasing her hopes and dreams as well as vulnerability and bringing life to the screen. She’s a great actress in general so I’m happy she has been recognised with an Oscar win. Damien Chazelle is a visionary and created a lush and real world, it’s refreshing to see original work rewarded in this way. I loved Whiplash (2014) for which Chazelle was nominated an Oscar for Best Writing, Adapted Screenplay so I was happy for him to win this year. La La Land had to win Cinematography and Production Design; such a vision of a film. Colourful, vibrant, full of expression and wonder. Not to mention that stunning soundtrack; it’s head creating anything modern that can be viewed as iconic and Justin Hurwitz did just that.

Now onto the moment everyone is talking about. Warren Beatty is on my enemy list now; I was watching the moment La La Land was announced at the “winner” until Moonlight became the eventual winner and I was thinking “What on earth Warren!”. Whether it’s his fault or not I’m not sure but I’m sorry, he didn’t really seem “with it” so….I was shocked and confused. However, at the end of the day La La Land won 6 Oscars and was recognised for Leading Actress, Director and Music so it won big awards and I’m pleased for that. So it may not have won Best Picture but it was nominated at the end of the day and the film still has had a huge impact on people.

MOONLIGHT (3 WINS)

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  • Best Motion Picture of the Year (Dede Gardner, Jeremy Kleiner and Adele Romanski)
  • Best Performance by an Actor in a Supporting Role (Mahershala Ali)
  • Best Adapted Screenplay (Barry Jenkins and Tarell Alvin McCraney)

The ACTUAL Best Picture winner was a film that was made on a shoestring budget of over $1 million and now had grossed over $25 million and now is an Oscar winning film.

Personally I would have loved Dev Patel to win but I was still pleased that Mahershala won because he gave a sensitive and multi-dimensional performance as Juan. I’m so happy for Barry Jenkins as well, he may not have won Best Director but he walked away with an Oscar for bringing to life Tarell’s play and life story to the screen for Best Adapted Screenplay so I’m happy with that result. Lastly if any film was to beat La La Land it was going to be Moonlight and I’ve made my peace with the result because it was a beautifully raw and effortless film.

MANCHESTER BY THE SEA (2 WINS)

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  • Best Original Screenplay (Kenneth Lonergan)
  • Best Performance by an Actor in a Leading Role (Casey Affleck)

Even though I was hoping La La Land would win Original Screenplay I think Manchester By The Sea is deserving of this award. I was so engaged and immersed with this world that you forgot that it’s not based on any previously written material but it was perfectly constructed story. Kenneth gave a delicate touch to a story of grief and loss, it wasn’t over dramatised or heightened in emotion but it was real and natural.

As the Oscars approached I thought Denzel Washington may win his third Oscar but I’m actually happy that Casey won in the end. Denzel was great in Fences, but it was a very loud performance and seemed quite self indulgent for Washington (to showcase what an amazing actor he is) that I appreciated the nuanced performance from Affleck more. Affleck gave a quite yet powerful performance and after winning the Golden Globe and BAFTA for the same role it was no shock that he would win Best Actor.

HONORABLE MENTIONS

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Viola Davis took away the Oscar for Best Performance by an Actress in a Supporting Role for Fences. The film was filled with great performances but Viola was the standout and gave such a heartbreaking performance of a woman who had hopes and dreams but eventually gave them up for her husband who should have treated her better. She holds back when she needs to but let’s go when she needs to stand up for herself. After being nominated twice previously (Doubt – 2008 and The Help – 2011) I’m happy Davis is now an Oscar winning actress.

Zootropolis won Best Animated Feature Film of the Year, it was up against fellow Disney nominee Moana but Zootropolis had a very timely message so I know why it won the Oscar. A deserving win for an animation that is unique and fun yet throughout provoking and appealing to all ages.

 
Well that’s it for another year. Here’s to the 90th Academy Awards in 2018!

And The Oscar Goes To…(Part 2)

It became clear to me that I had more opinions than I realised about the Oscars so that’s why I’ve had to do a second Oscar related blog post. As mentioned before, at the end of the day a nomination is still an honour and there’s more to a films success than winning an Oscar, however I still love the discussions that take place surrounding the Oscars and they do give a platform to smaller films and they do celebrate achievements in the film industry. If you want a recap of my previous Oscar themed blog post click here to read.

Queen Cate Blanchett

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Blue Jasmine (2013) should have basically been entitled: The Film Where Cate Blanchett Wins An Oscar. The comedy/drama directed by Oscar winning director Woodey Allen gave Cate Blanchett the platform to give a powerhouse of a performance which in turn earned her an Oscar win for Best Performance by an Actress in a Leading role in 2014. Cate Blanchett is an incredible actress and gave such an authentic performance with conviction as a woman who has had her life stripped away from her and how she is coping with the choices she’s made.

Cate Blanchett has been nominated for seven Oscars and now is a two time Oscar winning actress (her first win was for her supporting role in 2004’s The Aviator). She is the only Australian actress to win two Oscars and is the only actress to be nominated twice for the same role (of Queen Elizabeth I).

In 2014 Amy Adams was nominated for her fifth Oscar (first for a leading performance) in American Hustle, a performance I loved as it showed a different side to Amy Adams and she played a complex character brilliantly. But as much as I love Amy Adams the Oscar had to go to Blanchett, Blue Jasmine wasn’t perfect and the brilliance of Blanchett’s performance was that she carried the film on her shoulders effortlessly and she kept you watching because her performance was captivating and magnetic. I was so happy for Blanchett’s Oscar win because as soon as I saw her performance in Blue Jasmine in the cinemas I thought that she had to win the Oscar, and thankfully she did.

Amazing Alice

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In 2015 Julianne Moore won her first Oscar for her leading performance in Still Alice (2014) after having been nominated previously four times (twice in 2003 for leading performance in 2002’s Far From Heaven and a supporting role in 2002’s The Hours). Did Julianne Moore deserve her Oscar win in 2015? Yes. It was an honest and raw portrayal of someone losing themselves to Alzheimer’s. This was very much Moore’s film and her moment to show her range in one film.

However, in 2014 Rosamund Pike gave a chilling performance in David Fincher’s Gone Girl for which she was nominated for first Oscar for her leading performance. Talk about range, the character of “Amazing Amy” had many layers and was a complex character. She had to be the loving wife and daughter, the best friend of her neighbour, the psychotic survivalist, she knew how to adapt and play to different people’s emotions. Rosamund Pike portrayed that brilliantly and I was so happy when she was nominated an Oscar.

Personally I would have loved to see Pike win the Oscar but I know people really wanted Moore to win as this was her moment and for what many thought a long overdue win. I’m glad Pike was nominated in any case and hope she finds another meaty role to gain further recognition as well. So in short I’m happy “Amazing Alice” had won the Oscar.

The Oscar Artist

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In 2011 a beautiful French silent film was released and took the world by storm. In one of my earlier blog posts I mentioned The Artist as one of my top 10 favourite films of all time, because it’s a breath of fresh air. At the 2012 Academy Awards The Artist won 5 Oscars; Jean Dujardin was the first French actor to win Best Actor and it was the first film to win Best Picture.

It was so good to see a film that was different and unique sweep up the Oscars and to have had a great critical and commercial response; the film grossed $133 million worldwide against a $15 million budget. I love it when the Academy gives platforms to these smaller films from other countries to bring it to the attention of audiences across the world. I was so happy to see Dujardin win for Best Actor as it was impressive to see the exuberant performance with no words, it was all through actions and facial expressions.

She Dreamed A Dream

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Anne Hathaway is one of my favourite actresses. She had been nominated an Oscar in 2009 for her leading role in Rachel Getting Married (2008) and in 2013 she won the Oscar for Les Misérables (2012) for her supporting role as Fantine. In all honesty Les Misérables wasn’t my favourite film, however Anne Hathway gave one of the most heartbreaking and stunning performances, her I Dreamed a Dream sequence had you completely locked into her performance.

Hathaway received some of the best reviews of her career from Les Misérables,
Christopher Orr from The Atlantic wrote that:

“Hathaway gives it everything she has, beginning in quiet sorrow before building to a woebegone climax: she gasps, she weeps, she coughs. If you are blown away by the scene—as many will be—this may be the film for you.”

That close up shot which was fixated on Hathaway’s face was the standout of the film, and it shows the power of the performance that in a film running over 2 and a half hours people still talk about that one scene. From Princess of Genovia to Oscar Queen.

The Prequel To My Oscar Experience

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As mentioned in my first Oscar blog post, it was 2011 when I started watching the televised Academy Awards however I was still aware of who won in various categories the previous years, the 2009 Oscars were almost like a prequel to my Oscar viewing experience. In 2008 Angelina Jolie gave on of the most convicting and captivating performances I had ever seen in Changeling. Based on a true story, Jolie plays a mother whose son goes missing only to be returned to her convinced that the boy is not her son. The obstacles and challenges her character faces are horrifying and you truly are rooting for her character and Jolie plays the role with such power and force you feel her emotions. I wanted her to win an Oscar for her leading peformance, yes she has won for her supporting role in 2000 for Girl, Interrupted (1999) but she should have won her second Oscar in 2009.

Again, I was only partially aware of what was going on in 2009’s Award season so I didn’t realise that Kate Winslet was the favourite to win for her leading role in 2008’s The Reader. When I heard Winslet won instead of Jolie I was shocked, upset and confused. Jolie gave everything to her performance and it was such a powerful story, what more could she have done to win? In 2009 I hadn’t seen The Reader but did years later, Winslet of course is amazing in it…but more Oscar worthy than Jolie in The Changeling? Not really. I wasn’t happy with Winslet (even though it wasn’t her fault but I was young and naive).

For the record I love Kate Winslet, she is a brilliant actress who selects interesting roles and is consistent in her work. She has been nominated for 7 Oscars, 11 Golden Globes (4 wins) and 8 BAFTA’s (3 wins) over the course of her career. As time has passed on I’m happy to say that she is an Oscar winning actress, however I still can’t see how her performance in The Reader was more deserving than Jolie in Changeling.

At this moment at time I’m at peace with what happened, however there is still a part of me that would have loved to see Jolie walk up to that state and collect the Oscar for one of my favourite performances from an actress.

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Feel free to share your opinions regarding previous Oscar winners and nominees, what are you expecting for at this years Oscars? Feel free to comment below. The 89th Academy Awards are on 26th February 2017.

 

I See The Light Of TANGLED (2010)

I See The Light has to be one of the most stunning Disney songs and is the part of the most breathtaking scene in the film. The song was nominated for an Oscar in 2011 (I love Toy Story 3 – 2010 but in my opinion I See The Light is superior to We Belong Together) and is the jewel of the film. Thankfully there are plenty of heartwarming, light, dramatic moments in the film and instead of doing a formal film review, I would like to single out three scenes that represent what a quality film Tangled is.

When Will My Life Begin?

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The opening song in this scene is a great way to kickstart what I would consider to be the best soundtrack to a Disney animation. Rapunzel is introduced to us as her teenage self, and she basically gives us a run down of her day to day activities in the most fun way possible. Whilst on the surface it seems like a nice montage, there’s a lot you can actually unpack.

Let’s talk about the elephant in the room; yes, many may question Rapunel’s spirited nature despite her oppressive circumstance. However, this is a Disney film and some could argue if that’s the only life she’s only ever known then I guess she is the walking example of ignorance is bliss (to be fair she has a nice set up).

As soon as you hear the first strums of the guitar strings, you’re instantly put in a good mood. I love the pop vibe that the soundtrack has, filled with hit worthy songs. I love the humour in this scene and that is credit to Pascal (my favourite sidekick, levelled with Maximus) as he doesn’t need to speak because his face says it all. There are moments in the song where Rapunzel uses him to be a puppet for ventriloquy purposes; from him holding a candle triple the size of him to my favourite part…him being in a dress. This shows the unique friendship between the two because Pascal is willing to do anything for Rapunzel. The montage is so quick that it’s only when you actually stop to think about those small moments that it makes you smile and laugh.

As mentioned previously, this scene does give the whole being “locked up in a tower” thing quite the glossy makeover. However Disney acknowledges the truth of her situation by representing her as someone who knows there is more in life. Despite the fact that Rapunzel has made the best out of her indoor situation she still longs for the outside world and her only dream is to see the lights that appear on her birthday. There’s something missing from her life and though she doesn’t know the details as to why, she has a basic understanding that there is something better for her out in the world.

I’ve Got A Dream

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This is such a hilarious scene; Rapunzel and her innocence captivates the group of thugs and eventually she unearths the soft core in all of them. My favourite moment of this scene is when Rapunzel silences the whole pub by summarising her dream of seeing the lanterns and appealing to them by exclaiming, “Find your humanity!” She shows courage and is not afraid to let anyone stop her from fulfilling her dreams.

What seemed to be a rough establishment actually transforms into an almost therapy-like session. Through song and dance, and through sharing everyone’s dreams, the scene counteracts the brutal outward appearances. I love the juxtapositions in this scene. We see a big rough guy singing about his love of being a pianist, others singing about their love of ceramic unicorns and baking. It’s a total subversion of the stereotypes of masculinity but overall the scene is a lot of fun.

In turn, I love how Rapunzel isn’t fazed by her surroundings and saw something in the thugs that others didn’t see. There’s a funny moment where Flynn’s confused facial expression on his face perfectly conveys his confusion as to why this rough crowd is singing about their hobbies all of a sudden. He’s basically mirroring the audience, and that’s what makes this scene genius, it turns expectations of their heads and shows how we can’t judge things from their outward appearance.

I See The Light

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This scene showcases the captivating power that animation has and in my opinion displays Disney as the forefront of animation. Watch it and you’ll understand why I’ve selected this scene to showcase why I believe Tangled is truly one of best Disney films.

There is such an innocence and heartwarming feeling. The fact that Flynn and Rapunzel are naturally falling in love with each other after spending quality time together beforehand makes it feels organic and natural. This scene, in a way, is also the emotional climax of the film in a way. Rapunzel asks Flyn what will happen if this dream she’s had her entire life doesn’t live up to her expectations, to which Flynn reassures her it will be. It is the most sincere moment of this scene:

“…and what if it is? What do I do then?”

Flynn: “Well that’s the good part I guess, you get to go and find a new dream.”

Cue the most mesmerising scene is animation with the glowing lanterns creating a warm and atmospheric feeling, not to mention the beautiful song that is being sung by the two leads. The film has been leading up to this moment and it means a lot to see Rapunzel being lost in the moment and achieving her dream.

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You may have guessed it but I would have to say Tangled is my favourite Disney film. I honestly could have written a lot more to further back up my claim but the best way to convince you is to watch the film itself. Of course films like The Lion King (1994), Beauty and the Beast (1991) and The Little Mermaid (1989) etc. are iconic and classics but Tangled incorporates classic Disney conventions whilst being modern and exciting (after all I did mention that it would be my Desert Island Movie in my previous post).

It would be criminal of me to leave out mentions of other brilliant moments from Tangled, so here they are in a nutshell:

Honorable Mentions

  • I am a despicable human being/BEST DAY EVERRR!
  • “Mother Knows Best” scene.
  • Rapunzel and Pascal interrogate Flynn.
  • Maximus and Flynn have to settle their differences for a day to make Rapunzel’s birthday one to remember.
  • “Rapunzel Know’s Best” scene.
  • THE WHOLE FILM!

And The Oscar Goes To….(Part 1)

As a self confessed film geek it’s easy to assume the Oscars are the most exciting time for film during the year. I’ve always been aware of the Oscars but it wasn’t until 2011 when I started watching the televised show (from 11:30pm until 5am the next morning in the UK). From that moment onwards I’ve been obsessed with all things Oscars and really enjoy discussing the list of nominees and debate who was deserving or more deserving of the award.

Instead of doing an in depth analysis of the 2017 Academy Award nominees I thought I would go through the past 6 years and pick out some highlights.

NATALIE PORTMAN – Best Performance by an Actress in a Leading Role 2011 – Black Swan (2010)

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During the first year of watching the Academy Awards live I was cheering on Natalie Portman to win the Oscar for her leading role in Black Swan. I think this is her strongest performance (Jackie – 2016 showcases yet another powerful performance however) as she effortlessly portrays the complexities and emotional range of her character Nina. She gives it everything and more for a bold performance with conviction. The third act where we actually see the performance of Swan Lake is like a mini film in itself and Portman gives a impacting performance that will be talked about (at least by me) for years to come. I can’t believe it was 6 years ago since she won.

This year Portman is nominated for her third Oscar for her leading performance in Jackie (2016). I would say that with Black Swan it was the journey of her character from a mindset of a little girl into becoming a woman and with Jackie it’s showcasing Portman at more of a mature and levelled performance of a headstrong woman. I would love for her to win her second Oscar but if Emma Stone wins for La La Land (2016) instead I’ll think, “…at least Portman has won an Oscar for my favourite performance from her.”

The King’s Speech v Inception: Dawn of the 2011 Best Picture Winner

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It’s exhausting to make a list of who was snubbed or deserved to win because at the end of the day it won’t make a difference and the world moves on. However, only on certain occasions will I voice my upset at injustices that occur on Oscar night.

First of all I love The King’s Speech (2010), it deserved the critical acclaim and Oscar nominations. Yet 6 years on and I still wish that Inception (2010) had won Best Picture and any award that Christopher Nolan was up for (I can’t believe he wasn’t nominated Best Director). This film was a spectacle that had a sense of realism and depth, Nolan had made an epic blockbuster that could be taken seriously and that was pure quality on every level.

That being said, I guess at the end of the day it’s not all about the awards and Inception is still an incredible film regardless…but still.

J-Law Reigns Supreme

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You’ll be shocked to know but in 2013 I only knew Jennifer Lawrence from The Hunger Games (2012) but knew she had been previously nominated in 2011 for Winter’s Bone (2010). Despite the fact I hadn’t seen Silver Linings Playbook (2012) I was still happy that she won because Jennifer Lawrence deserves all the Oscars in the world.

Since then I have watched Silver Linings Playbook and I’m glad to say she is deserving of the Oscar. She plays Tiffany who is bold and unapologetic yet still has insecurities and wants to be loved like everyone else, Jennifer Lawrence perfectly portrays the character which cemented her as the second youngest Oscar winner at the age of 22. She also broke records as being the youngest actress to have received 4 Oscar nominations in 2016 after being nominated for Joy (2015).

The Year I Learned To Pronounce Chiwetel Ejiofor’s Name

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2014 saw 12 Years A Slave (2013) take the Academy Awards by storm. The film won Best Motion Picture making history with director Steve McQueen being the first black director/producer to win the Academy Award for Best Motion Picture of the Year. A well deserved win for its brutal and honest portrayal of one of the most horrific times in history carried by stellar performances.

Amongst the nominees was Chiwetel Ejiofor, and it was in 2014 I finally learned to pronounce his name so I could tell people who I wanted to win for Best Actor. He won the BAFTA (Matthew McConaughey wasn’t nominated a BAFTA so that’s why, but Ejoiofor still deserved to win) but lost out on the Golden Globe and Oscar to McConaughey. In all honesty I haven’t seen Dallas Buyers Club (2013) so I can comment on McConaughey’s performance, all I can say is that Ejiofor gave one of the most convicting performances I have ever seen. So for him to lose out on the Oscar was quite disheartening, that being said at least he was nominated which is still an achievement. Oscars aside Ejiofor’s performance is still one that I remember as being one of the most captivating performances I’ve seen.

If anything the best thing I can take out of 2014 Academy Award experience is now I can correctly pronounce his name.

It Got Real

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2015/2016 wasn’t the best time for the Academy Awards. It was the years where no person of colour was nominated in the acting categories. I think it’s definitely a conversation that needed to take place and it’s great to see diversity in this years list of nominees, however people looked at the situation in a black and white perspective (sorry for the pun).

Yes the acting category was lacking in diversity however overall it was actually not as bad as people made it out to be. Here are some examples:

  • Mexican director Alejandro González Iñárritu won 3 Oscars for Birdman or (The Unexpected Virtue of Ignorance) (2014).
  • Oscar winning actress Marion Coitllard was nominated for Best Actress in a Leading Role for Two days, One Night (2014) who is French and her performance is entirely in the French language (her second nomination to do so).
  • Whilst Selma (2014) was criminally overlooked it was with great pride that John Legend and Common (both black musicians and actors) took home the Oscar for Best Original Song (Glory).
  • Alejandro González Iñárritu again took home an Oscar for Best Director in 2016 for The Revenant (2015).
  • Alicia Vikander, a Swedish actress, won Best Supporting Actress for her performance in The Danish Girl (2015).
  • Asif Kapadia, a British Indian director, won the Oscar in 2016 for Best Documentary – Feature for his work on Amy (2015).

I’m not saying that there wasn’t an issue and something to talk about however let’s not take away that special moment for these filmmakers and actors who are from diverse backgrounds. Diversity doesn’t just mean black and white but it means different walks of life being reflected. Chris Rock hosted the show in 2016 did a brilliant job at addressing the controversy. Basically he was saying how it’s interesting how now people are going mad and boycotting yet there has been harsher discrimination in the past, he also mocked the impact of Jada Pinkett Smith’s decision to boycott the Oscars and he concluded by saying basically all that needs to be done is actors of colour need to be given equal opportunities in securing roles.

That being said it’s so good to see so many great and diverse films being recognised this year: Fences, Hidden Figures, Moonlight, Loving, Lion etc. and may it long continue.

Leo’s Moment

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I loved all the memes where Leonardo DiCaprio was searching for his Oscar and of course all the jokes were based in the truth that he should have won an Oscar long ago. However, at the end of the day he is still an incredible actor; whether he is an Oscar winner or not. I would say let’s enjoy his work and appreciate it rather than focus purely on the awards, plus being nominated for 5 Oscars before The Revenant (2015) is impressive.

Then his most brutal, gruelling and committed performance was seen in 2015 with Oscar winning Alejandro González Iñárritu’s latest effort The Revenant. I remember reading reports of how the film had gone over budget and how it was taking longer than it had planned to due to the visceral filming conditions so it was a relief to see that not only was it a critical success but a box office hit, grossing over $530 million worldwide against a $135 million budget.

The Revenant was an spectacular; visually and performance wise. It may have not been the best film ever but it was more of a film that showcased the skills of Oscar winning cinematographer Emmanuel Lubezki and performances from the cast including Leonardo DiCaprio. This is the film that finally saw the legendary actor win an Oscar for Best Performance by an Actor in a Leading role in 2016. His Oscar glory came 22 years after first being nominated for his performance in What’s Eating Gilbert Grape (1993). Many have said whilst he deserved it that really he should have won for other performances; to that I would say fair enough but if anything his performance in The Revenant showcased the level of sheer dedication and determination to fully immerse himself in a role. I don’t care what anybody else says, this was his moment and the moment the world had been waiting for. As his name was announced as the winner he received the loudest applause and a standing ovation, a touching moment showing how everyone was behind him and overjoyed for his win.

Funnily enough I never saw him as a serious actor until Inception (2010) and then discovered his work previously and have kept up to date with it since. Whatever your opinions of his relationship with the Oscars, the wait was worth it and he is a terrific actor Oscars or no Oscars.

To Be Continued

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.

As I was writing this blog I realised I had a lot to say about my experience with the Oscars since I started watching them live in 2011. It won’t be in chronological order as I recount favourable or memorable moments but it will be a good overview of recognising incredible talent and interesting moments in Oscar history. Do you have any moments where you were happy or unhappy with a certain win? Feel free to post your comments and share this blog post.

 

Let’s Talk About ‘Passengers’ (2016)

2/5 Stars

 

*SPOILER FILLED POST*

 

 

Two months after its release and I’m still hurt by what I witnessed on screen. Passengers (2016) was meant to equate to an exciting film starring hugely successful actors who on paper are perfect for each other on screen. Not to mention the exciting concept of an original space adventure directed by Oscar nominee Morten Tyldum.

Sadly Passengers was a huge let down and has left me baffled as to why Chris Pratt and Oscar winner Jennifer Lawrence would sign on to a film with a horrendous script.

I Can’t Look At Chris Pratt The Same Way Again

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Chris Pratt has smashed through Hollywood with Box Office hits such as Guardians of the Galaxy (2014) and Jurassic World (2015). He’s an actor that can also do comedy (TV’s Parks and Recreation) and Drama (Her, Zero Dark Thirty and Moneyball), we’ll excuse Bride Wars (2009) and The Five-Year Engagement (2012) from our minds. So of course he was going to be a box office draw for Passengers…so we thought.

In Passengers we are introduced to his character Jim as a likeable everyday guy who unfortunately finds himself in a sticky situation (being awoken 90 years earlier due to a malfunction with his hibernation pod). Then time passes by and yes he’s still lonely and contemplates doing something unspeakable…waking up Jennifer Lawrence’s character Aurora just because he’s bored and is sure she’s his soulmate after staring at her in a hibernation pod one time. It’s that point in the movie that you think, “ok, he’s lonely and desperate so don’t blame him for thinking it but of course he won’t do something so unimaginably creepy and insane…” and then it’s that moment when you realise a film released in 2016 would follow through with this stupid narrative.

Throughout the whole film I lost a huge amount of respect for Jim and now can’t look at Chris Pratt as the all round good American hero.

Seriously J-Law? 

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Jennifer Lawrence can do no wrong…kind of. Her character Aurora was the only saving grace of a deeply flawed film…kind of. I’m struggling to understand why Jennifer Lawrence would sign onto this ridiculous film…the pay check must have made it easier.  Aurora is falling in love with a stalkerish creep which makes the whole “love story” hard to watch yet the moment where she discovers the truth behind their budding romance is the best part of the film.

Jennifer Lawrence has not a look of anger or horror but complete shock. It’s a powerful moment in the film which J-Law plays with conviction. Fast forward to when Jim can’t take a hint and speaks to Aurora over a tannoy to which she screams back her anger and frustration with his character. At this point in the film I’m thinking, “ok, I’m glad they’re acknowledging what a despicable human being Jim is.” Oh how I was wrong. That being said Jennifer Lawrence had the strongest performance in the film especially during the scenes where she is disgusted by Jim’s actions.

Again, Seriously J-Law? 

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Long story short Jim has to potentially sacrifice himself to stop the spaceship from blowing up. I’m thinking that he gets what he deserves but by this point Aurora is devastated and shouts, “If you die I DIE!”. Has she not seen the film and what Jim did to her?

So Jim survives (oh dear) however the film (again) has a chance to redeem itself. Jim figures out that the medical pod can act as a hibernation pod and offers the last one to Aurora. I’m thinking that Jim has found a way to redeem himself and all is forgiven. However Aurora stupidly turns his offer down and lives out her 90 years or so left on a spaceship with a guy who literally took her life, hopes, dreams and ambitions away from her. Jim is back in my bad books again.

I Hate You But I Love You

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Despite the many…MANY flaws with this film…I strangely enjoyed it because it made me laugh due to its ludicrous nature. As mentioned previously it was an unintentional comedy which looked the part of a space adventure. The whole flying in spacesuits scenes were really cool to be fair.

It also annoys me how the film lied to the audience in its marketing. It’s one thing trying to hide the spoilers and leave an element of mystery but it’s another lying and portraying it as a love story for all the ages.  The tag line should have been: Creepy Engineer goes all Sleeping Beauty of Aurora. Enjoy.

Strangely enough Passengers has become a moderate success at the Box Office (not with the critics). Forbes states that…“With $255m and counting worldwide, it is the biggest live-action “not based on anything” Hollywood release of 2016.” The article was written a few weeks ago and Passengers has now gone on to gross over $290 million worldwide. This film is still laughable and I’m shocked that this film was allowed to be made.

 

My Movie Life

Recently I was reading the March 2017 issue of TOTAL FILM magazine and came across a feature which interested me. Director Richard Kelly (Donnie Darko – 2001) did a feature entitled ‘My Movie Life’ in which he gave a list of movie titles he would watch in various circumstances. As I was reading the feature I thought it would be fun to do the same so here are a selection of movies that I’ve selected for these varied topics.

MY DESERT ISLAND MOVIE

Tangled (2010)

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Picking a movie for this section is hard because you have to think of a film that will have a lasting impact. Tangled is a movie which I can watch over and over again. It’s a vibrant, fun and colourful movie with a strong leading character and a welcomed modern twist on a fairytale classic. I will declare Tangled as my favourite Disney movie and will even go as far as to say Tangled has one of the best soundtracks for a Disney animation (even better than Frozen – 2013).

THE MOVIE THAT MAKES ME CRY

Never Let Me Go (2010)

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In all honestly I haven’t physically cried at this movie (the last movie I actually cried at was the 2005 movie King Kong when I was 12, no joke) but Never Let Me Go is the most thought provoking and emotionally raw movie I have ever seen. It’s a very effortless and understated movie which is also very poignant and emotionally captivating. This is a movie with a powerful ending due to its subtlety and leaves you with a lot to ponder over. You won’t be sorry to have watched it.

THE LAST MOVE I WATCHED ON A PLANE

Date Night (2010)

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Tina Fey plus Steve Carrell equals an enjoyable watch. Don’t judge me as it was 3am in the morning (I think) and it was on a long flight back home from Africa so I wanted to watch something fun and light hearted. I had watched movies like Midnight Special (2016), Eternal Sunshine of a Spotless Mind (2004)...ahem…Daddy’s Home (2015)...but Date Night is the last movie I have watched on a plane.

THE MOVIE I WISHED I DIRECTED

The Lord of the Rings: The Return of the King (2003)

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Not that I could ever reach the towering heights of Oscar winner Peter Jackson’s brilliance but of course directing my favourite movie ever would be amazing. Directing a movie with huge spectacle rooted in depth is something a lot of filmmakers could learn from (maybe Christopher Nolan and Peter Jackson could teach the world that lesson).

MY FAVOURITE MOVIE THAT MESSED WITH MY HEAD

Gone Girl (2014)

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There’s not enough words to do justice of the major plot twist that Gillian Flynn writes for both novel and movie version of Gone Girl. The moment which really grabbed me was halfway through the book/movie when Amy says…

*SPOILER*

“I’m so glad now that I’m dead.”

I literally gasped and was so shocked. I’m pretty clueless in general but even this plot twist caught me off guard. From that point onwards the plot escalates and Amy is fully let out of her cage.

Even though I knew what would happen in the movie it didn’t lose its impact as Oscar nominee Rosamund Pike perfect encapsulates the character of Amazing Amy. The movie is brilliantly crazy in a perfectly calculated way. You’ll finish the movie trying to process everything that has happen, it definitely leaves an impact.

THE MOVIE I LOVE THAT NOBODY TALKS ABOUT 

Sing Street (2016)

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Easily one of the best movies last year! I was surprised how much I enjoyed it when I watched it at the cinema but my love for the movie has only grown stronger. There’s such an authenticity in all respects that is endearing and engaging. It also helps that it has an incredible soundtrack with songs that won’t leave you.

It is an indie movie that premiered at Sundance 2016 and sadly not many people (hardly anyone) knows about this movie from the people I talk to. There’s something fun about feeling like you’ve found a hidden gem but at the same time it’s criminal that not more people know about Sing Street. It was nominated a Golden Globe after all.

 

It’s fun trying to fit different films in various categories, it’s worth a try to do what I just did for this blog post yourself.

The Light Between Oceans (2016) Film Review

4/5 Stars

Michael Fassbender and Alicia Vikander: two reasons why you need to see this film. I think they are incredible actors and they deliver committed performances. The Light Between Oceans tells the tale of a lighthouse keeper (Fassbender) and his wife (Vikander) who rescue a baby adrift off the coast of Western Australia. This is a film that has an engaging narrative and character development which will surprise audiences along the way.

The Light Between Oceans was an emotional roller coaster because it took you places you weren’t expecting or anticipating; I was an emotional wreck and I haven’t had an experience like that in a long time. I was invested in these characters and by the time they learn the true parentage of their adopted daughter you feel their pain and the moral dilemma they face.

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Bringing it back to the leading actors of the film; they were stunning. Oscar nominee Michael Fassbender portraying Tom Sherbourne, a emotionally closed off war hero who opens himself up to heartfelt local girl Isabel Graysmark played by Oscar winner Alicia Vikander. They have a lot to explore with their characters as the film covers a long period of time so you see the actors play around with the different seasons their characters go through and it’s exciting to see so much depth in a character.

Oscar winner Rachel Weisz appears later on in the film changing the mood of the film allowing the film to explore other issues and themes. The dynamic between the cast is so natural and they all blend so well together it’s great to watch. The emotion they managed to evoke is incredible and so natural.

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I can’t say much about the film as I don’t want to spoil the different avenues the film explores however I will say that you need to bring your tissues as it definitely isn’t easy on the heart. That being said what I love about the film is how it has a good pace, without the film feeling rushed or dragged along. I’ll also say that the tone of the film is consistent despite the fact events happen which changes the direction of the film yet the tone never feels uneven or abrupt; everything is connected and feels justified to be in the film. The themes explored can be heavy but they are explored delicately and there is no sense of judgement of the characters’ actions. There are so many layers to the characters which creates engaging discussions about how they cannot be easily defined.

You need to watch the film to see for yourself how intricate the narrative development is and how each character is substantial and says a lot about humanity and our need to feel belonged; to be with each other and not isolated. There’s so much I want to say about specific scenes which perfectly sum up the themes explored in the film but I won’t spoil it for you; so watch the film and then take a few minutes to process what you’ve just seen.

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The Confessions of a Film Blogger: Foreign Language Films Edition

It’s no secret that I have watched my fair share of films; I have the film collection at home to prove it and this blog hopefully highlights my diverse taste in film. However there are still plenty of titles that I have yet to watch and I’m forever on a quest to watch films I haven’t seen before. So I thought I’d be honest with what I have seen and the many films that I need to watch. For this blog post I will be focusing on foreign language films and how I have only scratched the surface.

Foreign language films are an interesting topic because it can be quite divisive; you either love them or can’t stand reading the subtitles so you give up on them entirely. The reason why I love foreign language films is because you are given access to stories told from different cultures and your horizons are broadened in your taste in film. Just to clarify I can only speak English so films in any other language are foreign to me.

I’ll give you a rundown of the films that I have watched and loved. Now by writing this post I am not declaring myself a foreign language film expert yet an aspiring one; I hold my hands up and say I don’t watch as many as I should and hopefully that will be corrected in due course.

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(Jean Seberg and Jean-Paul Belmondo in Breathless – 1960)

Out of the foreign language films I have seen the most popular language I have listened to is French. There’s no specific reason why this is but I have to say I love the French language but I also enjoy watching American or British films set in France (which defeats the whole “aiming to watch more foreign language films than English spoken films but it still counts, kind of). I remember in Sixth Form we learned about the French New Wave which really fascinated me and was very enlightening learning about prominent directors François Truffaut and Jean-Luc Godard. The movement was a rejection of period pieces or literary adaptations and instead focused on more current issues, this was very unconventional at the time and the films were inspired by the works of Hollywood greats such as Alfred Hitchcock, Orson Welles, Charlie Chaplin etc. after their works had been banned in France during WW2.

The films I studied were The 400 Blows (1959), Breathless (1960) and Shoot the Piano Player (1960). I loved studying and watching these films as it’s an interesting part of cinematic history. I remember watching The 400 Blows and not connecting with it straight away but after learning it was inspired by François Truffaut’s upbringing it had more meaning and made the film more personal; he broke away from traditional filmmaking and focused on youth and growing up whilst finding your identity.

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(Marion Cotillard in her Oscar winning role for La Vie en Rose – 2007)

Two of my favourite French films are Love Me If You Dare (2003) and La Vie en Rose (2007) both starring Oscar winning actress Marion Cotillard (becoming the only actor to win the Academy Award for a performance in the French language for La Vie en Rose). Love Me If You Dare boasts terrific performances from Guillaume Canet and Marion Cotillard, having a dynamic chemistry and brilliantly exploring their characters over the course of many years. It’s a fun yet dangerous game they play which makes it an exciting watch for the audience. La Vie en Rose is a very different type of film, depicting the tragic life of Édith Piaf. Marion Cotillard gives everything and more to portray Édith Piaf honestly and with conviction; you buy into her performance.

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I’ve also watched Amélie (2001) years ago (in all honesty I should watch it again to refresh my memory) but it’s a film I had heard about for a long time and needed to see. It also has the iconic poster of the eponymous character looking rather ambiguously to the audience. I even managed to visit Café des 2 Moulins in Paris where Amélie works which was a cool experience. I’ve always had an interest in foreign language films and I’m so glad that I’ve never limited myself in what I watch otherwise I wouldn’t have experienced this classic…which didn’t win me over completely but at least I gave it a chance.

The Artist (2011) can be included in the discussion of films produced in other countries because whilst no words are uttered it is a French production with prominent French actors featured within the film. I love how successful it was at the box office and during the awards season, Jean Dujrdin became the first French actor to win an Oscar and the film was the first French film to win an Oscar for Best Picture. Whilst this focused on the age of silent films in Hollywood I love how it was another country that produced this film.

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(Marion Cotillard in her Oscar nominated performance for Two Days, One Night – 2014)

Referring back to Marion Cotillard, she also gives a raw and vulnerable performance in Two Days, One Night (2014) a Belgium film that isn’t flashy but is an honest depiction of a woman’s pursuit to save her job whilst at risk of being voted out so that her colleagues can earn more money for their bonuses. Marion’s performance keeps you watching as you root for her character and even though yes the majority of the film is herself knocking on doors begging to keep her job, you don’t feel that it’s repetitive or mundane as it shows the true strength of her character. I love how Marion Cotillard can effortlessly go from huge blockbusters to low budget foreign language films.

Recently I watched Pan’s Labyrinth (2006) by Mexican film director Guillermo Del Toro. It won three out of six Oscar nominations (including a nomination for “Best Foreign Language Film of the Year: Mexico”) and opened to critical acclaim. I love how original this film is and how Guillermo Del Toro was inspired by fairy tales but creating his own stories set in the backdrop of the aftermath of the Spanish Civil War. Ivana Baquero (Ofelia) would have been 12 when the film was released and she holds the weight of the film on her shoulders with ease. Fairy tales at their essence can be dark and twisted and I love how Guillermo has fully embraced that; I would have never experienced this is I limited myself to only English spoken films.

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(Pan’s Labyrinth – 2006)

I’ve never had an issue with having to read English subtitles;  yes I am aware of them at first but in time that awareness almost fades away and I’m completely immersed in the story being told. Subtitles do not prevent me from enjoying or being invested in a foreign language film. Also the benefit of watching a film produced from another country is gaining an insight into other stories being told and yet what may surprise people is how universal and relevant the themes are to all audiences.

Despite the fact I have watched quite a few films not in the English language I still have plenty of foreign language films to watch; I have a long road ahead of me but I’m excited for the challenge. Some titles that I have had my eye on but never watched are Son of Saul (2015), Rust and Bone (2012), The Hunt (2012), A Royal Affair (2012) and the list goes on. If you’ve never really given foreign language films a chance I would encourage you to try a few titles and see how you find them; I know I need to grow my knowledge of what stories are out there being produced by other countries. It will help us get out of our “American/British film minds” and be more aware of what is going on in our world.

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(2016 Oscar winner for Best Foreign Language Film of the Year – Hungary) 

Doctor Strange (2016) Film Review

3/5 stars

Marvel needs no introduction. Pioneering the whole cinematic universe concept they have managed to create one of the most successful franchises of all time. Now Marvel returns with its 14th cinematic outing with Doctor Strange feating Benedict Cumberbatch as the eponymous character. The premise of the film is that Doctor Stephen Strange is a highly talented yet arrogant neurosurgeon who learns the ways of a sorcerer after trying to find healing. Does Doctor Strange live up to the hype? no.

I really wanted to like this film as Marvel has an impressive track record with producing quality blockbusters (with some blemishes). However the film didn’t quite have the emotional punch it needed for the audience to root for Strange and to ultimately care what happens to him over the course of the film. Speaking of Strange we need to talk about Benedict Cumberbatch; overall he played the part well yet there were moments where it didn’t feel authentic and at times felt forced. However by the end of the film he comes into his own and despite some rough patches in the development of his character he emerges the hero Marvel were trying to create.

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Doctor Strange boats an impressive cast: Oscar winner Tilda Swinton (The Ancient One), Oscar nominees Chiwetel Ejiofor and Rachel McAdams as well as Hannibal’s Mads Mikkelsen. There was controversy with the casting of Tilda Swinton with many accusing Marvel of whitewashing the character, whilst this is a problem with Hollywood at the moment I think the decision to make The Ancient One a woman was a great move. It’s refreshing to see a prominent female led character be treated equally alongside the rest of the male cast members (we’re waiting for that Black Widow movie Marvel) and of course Tilda Swinton was incredible.

Speaking of female representation in Marvel films we have to look at Rachel McAdams who was sorely underused in the role of Christine Palmer. Fresh from her Oscar nominated role in Spotlight (2015) and with more of a decade of acting under her belt she was resorted to a forgettable role which could have been played by anyone. It was also frustrating to see her portrayed as quite a weak doctor and being told what to do all the time, Rachel McAdams is capable of so much more which is why it was frustrating to see her in this role.

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The one thing I have to applaud Marvel with is making one of the most “standalone” films in quite a while, rarely relying on numerous mentions of the Avengers to keep audiences interested. Many people complain about origin stories yet I have no issue with them, however Doctor Strange at times felt rushed. We’re first introduced to Strange in the operating theatre and in all honesty he wasn’t as arrogant as other characters tried to highlight, and then in what felt like minutes later he is involved in a fatal car accident changing his destiny forever. It didn’t have the impact it should have had because it just felt like a sequence of events; then after an outburst of not getting his way he logically heads to the mountains in Nepal only to mock the concept of healing and spirit when he arrives. I won’t go on as I don’t want to spoil the film but in short, it felt very underwhelming for what it should have been.

Marvel do have their own “comedic” style which people seem to enjoy yet in this setting it felt out of place. This is a man who has had everything wrenched from him and is at the lowest point in his life so when he arrives Kamar-Taj you’d think he’d be a bit more desperate. At times it felt that the film sacrificed emotional and deep moments in favour of “comedic” efforts, preventing it having that emotional punch. However there is one scene between The Ancient One and Doctor Strange which was my favourite scene later on during the film which showcased what the whole film could have been.

There were some standout moments which were exciting: when Doctor Strange faces off against Kaecilus (Mads Mikkelsen) for the first time and when The Ancient One showed everyone up for example. The action and spectacle was present and great to look at which made the film enjoyable, yet as much as the visual effects were impressive please stop comparing it to Inception (2010) Doctor Strange is no Inception.

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It’s no secret that despite my love for the Marvel Cinematic Universe I have issues with the interweaving nature of it’s story lines and the film’s dependancy on each other. Yet Captain America: Civil War (2016) had impact in character development and narrative, so from that film to Doctor Strange was very much of a let down.

Overall whilst Doctor Strange had some flash and exciting moments with some good performances from its cast members; it didn’t delve deep enough in order for the audience to care for Doctor Strange and it felt very underwhelming in how it used some its characters and where it took the story.

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