Avengers: Infinity Snore

First of all I love superhero films. My earliest memory of seeing a comic book film adaptation was Sam Raimi’s Spider-Man (2002) when it became the first 12A rated film (which I was so excited about because I was 8 when it came out). Since then seeing Christopher Nolan’s Batman Begins (2005) was also incredible and in time I watched X-Men (2000) and this was during the time when Superhero films were finding their ground in terms of how audiences and critics respond to them, but then…Iron Man (2008) was released and changed the cinema landscape forever. 10 years later and it’s impossible to have a Summer release not feature a comic book film adaptation, which brings me to the point of this article…

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Iron Man (2008)

Phase One of Marvel (From Iron Man – 2008 until Avengers Assemble – 2012 ) is my favourite part of the Marvel Cinematic Universe because each film gave complete focus and attention to the heroes taking centre stage and subtlety working in easter eggs to foreshadow a crossover between the heroes. Now I’m at a stage where I have a love/hate relationship with Marvel and superhero films in general (look at DCEU, Man of Steel – 2013 was released and then the next film features a crossover with Batman with Batman v Superman: Dawn of Justice – 2016) it’s rare to have a superhero film that is JUST about that one character, it has to be a crossover of some sorts. Then arrives Avengers: Infinity War (2018) and it’s one of the most hyped films of the year and is meant to be a celebration of 10 years that Marvel have reigned over cinema…yet the only reason why I saw this film was out of obligation rather than from pure excitement…that excitement, awe and wonder of seeing heroes battle it out faded a while ago (apart from Thor: Ragnarok – 2017 and Black Panther – 2018). As someone who used to really love Marvel and who still has an interest in superhero films I have to say that Infinity War felt very underwhelming and not that celebration that these characters deserved.

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Avengers Assemble (2012)

Even though my love for Marvel isn’t fresh as it used to be I still went into the screening with an open mind hoping I would be blown away, however the pacing of this film was very slow and it was basically just to see certain characters interact with other characters and very quickly my interest faded. I always stick it out to the end with a film as you never know if there is that key scene that will save the film for you but very quickly I knew that wouldn’t be the case and I had to accept that this was the most overhyped film in a long time.

The frustrating thing about Infinity War was how the directors (Joe and Anthony Russo) originally planned this film to be part one and part two would be released next year, and then they stated they were two separate films when clearly Infinity War is still part one, though this film felt very much like a filler for the fourth Avengers film which will be released next year and that’s where I feel everything from the past 10 years will properly come together. I understand the themes that Infinity War tried to convey however I felt that it was diluted from the overpopulation of characters in the film which then took away the impact that the directors were trying to implement. You would have a scene with Bruce Banner (Mark Ruffalo) and Tony Stark (Robert Downey Jr.) then catch up with Thor (Chris Hemsworth) and the Guardians of the Galaxy AND THEN catch up with Peter Parker (Tom Holland) and Dr. Strange (Benedict Cumberbatch) so it felt very much like pocket storylines instead of having a more focused and concise narrative. Now I understand that stopping Thanos was the main narrative but because of the slow pacing of the film there was no sense of urgency and knowing there is a fourth Avengers film this film didn’t feel as final as it was meant to be.

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The ending is one for conversation…SPOILER ALERT….

When everyone “dies” it’s meant to be emotional, devastating and shocking. In all honesty, I was not affected by it in the slightest. That’s because I know that they’re nearly ready to film the sequel to Spider-Man Homecoming (2017) set to be released next year  Keven Fiege has stated there’s more Black Panther stories to tell , James Gunn has said the third Guardians of the Galaxy film will be the final film in a trilogy featuring the current members…so already I know some will return so why mourn for something that’s not final?  Now I know not everyone will br brought back to life; Evans, Hemsworth and Downey Jr. all have contracts expiring after Avengers 4 but I’m happy with that because that will usher in a new age of the MCU as some things have to come to end.

To conclude this article; when you think that Avengers: Age of Ultron (2015) is a better film that Avengers: Infinity War (2018) that’s saying something…but whilst I was underwhelmed with Infinity War I do have high hopes for the fourth Avengers film that it will hit the ground running and will be the true celebration of the MCU that Infinity War was meant to be.

 

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TULLY (2018)

Before knowing what Tully (2018) is about there are already many reasons why you need to see this film: It has Oscar winning Queen Charlize Theron (Young Adult, Mad Max: Fury Road, Snow White and the Huntsman) Directed by Oscar nominated Jason Reitman (Juno, Up in the Air, Young Adult) and Oscar winning screenwriter Diablo Cody (Juno). It also features Mackenzie Davis which is exciting because I saw her in a film called Breathe In (2013) which is a small film which not many people know about (I was excited to find that’s how Reitman knew about her) but since then she’s worked on incredible films like The Martian (2015) and Blade Runner 2049 (2017) so it’s exciting seeing her in a prominent role alongside the icon that is Theron.

By now you should be pre-ordering your tickets to see the film but now we have the facts out of the way I can tell you that the main theme of Tully centres on motherhood. Charlize Theron gives a committed performance of a mother who is about to welcome her third child and her brother offers to pay for a Night Nurse to look after her newborn during the evening.

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I’ll explain towards the end of the article why this film moved me in a powerful way (don’t worry, I’ll warn you when the spoilers appear) but it basically confirms that no matter what the central theme is there is still something that everyone can relate to and that for me is when film can be at its most powerful.

It’s funny because I know that I have an eclectic film taste and have written many blog posts stating my favourite films and my love for foreign language films yet people still think I only watch Disney and U Rated films. So just to clear up those misconceptions I love watching films that tell stories from different walks of life so it can allow me to have a broader sense of life and step outside of the bubble of my own life and understand humanity just a little bit more. Obviously I’m not a mother, I’m not even a parent but I loved watching Tully just to have an insight to see what women really have to deal with when looking after children and understanding the pressures that society can put on them but also the beauty that comes with creating life. I have a sister who is a mother, obviously I’m not with her all the time but I have an inkling of what she has to go through and the strength that is found in motherhood.

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Charlize Theron in Young Adult (2011)

Also I loved what Reitman/Cody/Theron did on Young Adult so I knew Tully would be a great watch; they didn’t try too hard to push an idea but it’s very organic and natural and yet so deeply profound. When I was watching Tully I was thinking about how society can be so hard on us but also how hard we can be on ourselves trying to live up to a certain standard. There’s a scene where Marlo (Theron) orders a decaf and another customer calls her out by saying there’s still traces of caffeine in the mugs, to which Marlo ignores (much to the customers disgust) or when Marlo screams outside of the car after a frustrating meeting with her sons teacher. Marlo loves her children and her husband but we see her at a point in her life where it’s getting too much for her and the film also deals with our identity, who was Marlo before she had children and is she still the same person and if not is that ok?

This is when Tully (Mackenzie Davis) comes in. A Vibrant, youthful and forthright woman who is like a saviour for Marlo coming into her life and taking some of the load off her so that she can have a good night sleep and have some energy back. It’s a beautiful friendship that unfolds on the screen and not only does Tully inject some of that joy back into Marlo’s life but also Marlo cautions Tully of what time can do to a person. Both Davis and Theron work brilliantly together and their performances are so authentic which felt refreshing.

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Now here we come to the SPOILERS (Spoilers will be in ITALICS)

I wasn’t sure what to expect in terms of how the film would play out but I was not ready for what was to come. So Tully takes Marlo out for some drinks and as they’re driving home they end up in an accident. Marlo wakes up in hospital and the doctor asks her husband if Marlo has suffered from mental illness in the past and then the twist that I was NOT EXPECTING happened: the doctor explained that Marlo was severely sleep deprived and as the audience we realise that Tully was not real…but a figment of Marlo’s imagination (her younger self coming back to help Marlo as Marlo’s maiden name was Tully) and I nearly cried. I wasn’t ready or expecting how emotionally impacted I would be by this Fight Club (1999) style of ending and I’ve reflected since to find out why because I’m only 24 and not a parent that has lived life but I remember just feeling true empathy for Marlo that all this time she was truly alone and basically was trying to figure out who she was and who she has become and what time can do to us. Tully comes back in the hospital room saying she has to go and Marlo agrees and the look on Mackenzie’s face in knowing she has to go is heartbreaking I could have cried again. It was very emotional but also in a good way because at the end Marlo is looking happier, with more energy and as Tully says before has gotten Marlo through the danger zone of looking after a newborn baby. Marlo is happy with who she has become and that’s a beautiful thing to see on screen. If I’m not making sense it’s because I’m still emotional thinking about it all. 

SPOILERS END:

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The meaning of the ending and how that helps you see the film in a different light is probably for another blog post as I thought it was incredible and totally different to what I was expecting, but basically what I loved about this film was how accessible it actually was. Everyone should give this film a chance, not just because of the incredible talent in front and behind the screen (though that is a main factor) but it can create conversation about our progress in life, who we were and who we have become and it’s always welcome to see an original film come to our screens.

RATING: 5 STARS

Misconceptions of a Young Film Fanatic

This blog post is to confront various ideas people may have regarding young people and their tastes in film and how they can misconceived. This post may also seem like I am ranting (which is true in a sense) but they are based on things I’ve heard so I thought I would write something in response. I understand that not all young people have the same taste in film and that my taste is more diverse than most; however it’s frustrating when you hear about certain stereotypes people have regarding young people and their interest in film. I’m going to list a few things that I’ve heard people say and counteract them from my perspective as a film fanatic.

 

WE DON’T LIKE “OLD FILMS”

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Roman Holiday (1953)

Now I’m sure there are young people who may not love classic film, however to assume that majority of young people are dismissive of films made pre-2000 is insulting. To limit myself to films of the past decade is criminal because some of the greatest films were made over 70 years ago and it allows you to have a broader sense of what film is. Some of my favourite films include Casablanca (1942), Gone with the Wind (1939), Roman Holiday (1953), Citizen Kane (1941), Singin’ in the Rain (1952), Rebel Without a Cause (1955) and the list goes one. To see what has come before is insightful to see what kind of films were made in the past and how they can have a life of their own beyond their release date. I’m on a life long quest of watching more classic films because I want to have the broadest film taste possible and that doesn’t happen from watching only films released in 2017.

There are young people out there who know James Stewart, Orson Welles, Audrey Hepburn, Vivien Leigh and their films; so don’t be shocked when a young person says they love Breakfast at Tiffany’s (1961). We do know more films outside the Transformers live action film franchise.

 

IF WE DON’T LIKE “OLD FILMS” IT’S BECAUSE THEY’RE “DATED”

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Rear Window (1954)

I’ve seen my fair share of Hitchcock films and obviously know what a revered filmmaker he is; I watched his films expecting to be blown away by this auteur and why cinema has held him in high regard. Yet when I watched some of his films I was actually not impressed: The Birds (1963) or Rear Window (1954) for example are seen as classics yet they both didn’t grab me nor interest me. Now that’s not because they were released in the 50’s and 60’s but in the case of Rear Window I felt the film dragged and The Birds was not as exciting as I thought it would be and the ending was frustrating.

It’s just because I’ve had people say to me that I probably didn’t like a classic film because it’s “dated” and that frustrates for various reasons. One is that I am able to watch a film objectively and know the context, that it was made in a different time and film has changed and secondly a true classic is one that can stand the test of time. Citizen Kane is an example where I watched it and was hooked because it had a modern feel in narrative structure (I know at the time it was groundbreaking and many films followed suit) and the mystery was exciting of finding out more about the titular character. So it IS possible to enjoy and NOT enjoy a classic film.

 

YOUNG MEN CAN ONLY LIKE “GUYS FILMS” AND CAN’T LIKE A “CHICK FLICK”

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The Devil Wears Prada (2006)

First of all the term “chick flick” is outdated like many opinions of what films either gender should enjoy. It’s 2018 and I’m sure we’re past the point where if a man says he enjoyed Pitch Perfect (2012) it shouldn’t be a groundbreaking concept to comprehend. However I hear it all the time when people refer to a romantic comedy or musical where they say, “It may be too girly for you” or “I know it’s a chick flick but…” and those phrases are dated to which I dismiss any idea that I am incapable of enjoying film because of my gender. A quality film is a quality film and a great film will be able to allow varying demographics to engage with the film. Yes a film may have a target audience but that doesn’t mean it shouldn’t be abnormal for another type of audience to also enjoy the film. I love films such as The Devil Wears Prada (2006) and 500 Days of Summer (2009) as well because they are more than one thing and I think there’s something in those films for everyone.

The same goes for when we say women may not enjoy the Fast and Furious franchise because it’s a “guys film”, again an outdated and excluding phrase. As I said before, I believe and hope we have moved on from stereotyping and putting people’s film tastes in certain boxes but it’s still something I hear often and people need to be more open minded.

 

WE CAN’T ENJOY FILMS ABOUT THE OLDER GENERATION

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45 Years (2015)

The way to enjoy a film is to find something within a certain character or themes that are raised that you can connect with no matter what the subject matter. One film that comes to mind is 45 Years (2015) with Oscar nominee Charlotte Rampling. I love that film. The film focuses on an elderly couple reminiscing about their lives together and who they were in their youth, but somehow I was immersed in the film because there was conviction in the performances and I loved contemplating about how would I look back at my life in the future. A quality film is one that engages the audience and is told with conviction, the fact that it focuses on a couple well into their married lives should not exclude other demographics.

Also another film is The Best Exotic Marigold Hotel (2011) which is a feel good film showcasing the best of British talent (Oscar winners Judi Dench and Maggie Smith, Golden Globe winner Bill Nighy and Oscar nominee Tom Wilkinson) and again focuses on how perceptive on life changes as we age and allows the audience (no matter what age) to think about life in general.  Plus it’s just a great, fun, colourful film in general.

Point is that I’m sure I’m not the only young person that can appreciate a film focusing on leading characters who are older, because just like how watching classic films broadens your taste so does watching films that allow you to step into someone else’s world.

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Singin’ in the Rain (1952)

I’m sure there are many more stereotypes of young people and film (if so feel free to comment) but I think it applies to everyone when I say don’t assume that a certain person may not enjoy a certain film; we all have different film taste and it’s always refreshing and exciting when one subverts people’s expectations and show how you can be open minded with what we watch.

The Good Showman

The Greatest Showman (2017) may have earned a 54% on Rotten Tomatoes (Branding the film as ROTTEN) however it has struck a chord with audiences grossing over $237 million worldwide (against an $84 million production budget). The majority of people I know who have seen the film absolutely love it and have seen it multiple times; it’s great to see how the film has had such an impact and brought joy to people.

The reason for this blog post is because I’ve heard people raving about The Greatest Showman and some have even compared it to the Oscar winning La La Land (2016) by saying it’s a stronger musical. To set the record straight I did like The Greatest Showman but if people suggest that it is a better musical than La La Land...then I don’t know what else to say than in my opinion it’s not. First of all they are different films but if I had to compare La La Land is my favourite of the two.

I’ll start by saying what I enjoyed about The Greatest Showman: the soundtrack is a solid effort from Oscar winners Benj Pasek and Justin Paul delivering some standout original songs. I love the Golden Globe winning/Oscar nominated song “This Is Me”, “The Greatest Show”, “The Other Side”, “Never Enough” and “Rewrite the Stars”. The positive thing about this film is that it is assured in its identity as a musical that is meant to inject joy into audiences, it doesn’t try to be anything else and is clear in what its meant to be.

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Secondly, Hugh Jackman (who was nominated a Golden Globe for his role as P.T. Barnum) carried the film effortlessly on his shoulders. You can understand why because he was passionate about the role even to the point where he was involved in getting the project made for seven years! Hugh is no stranger to musicals on screen (he was nominated an Oscar for his performance in Les Miserables – 2012) and he relishes in bringing P.T. Barnum to the screen to bring audiences together for a fun ride.

Lastly it’s great how the film explores the themes of acceptance and embracing everyone from all different walks of life (which is encapsulated so well in the song “This Is Me”). Whilst it may have been done in a sugary affair, it’s still an important theme and a one that I believe has resonated with audiences, especially in such a divided world.

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However, the difference between La La Land and The Greatest Showman is that the former is stronger in every area of the film whereas the latter may be strong in its identity as a musical but as a story and character development it’s lacking. I understand you can’t approach The Greatest Showman as a full on biopic otherwise it may be a more morbid affair but in being brash in its musicality it does suffer from there being any grounded nature to the film and in turn it feels more lightweight. The film is definitely more about the songs than anything else. Also to compare numbers: La La Land grossed over $446 million worldwide (against a $30 million budget) and scored 92% on Rotten Tomatoes (Branding the film as FRESH). On top of wowing audiences AND critics the film had a clean sweep at the Golden Globes winning seven awards (the most won by a single film) and won six Academy Awards last year.

Now with La La Land it’s more intimate as it follows mainly two characters: Mia (Oscar winner Emma Stone) and Sebastian (Oscar nominee Ryan Gosling) in their relationship and their journey of trying to follow their dreams. The film starts off strong in embracing its identity as a musical with big songs such as “Another Day of Sun” and “Someone In The Crowd” however it doesn’t shy away from having tonal shifts to embrace the more real elements of life without it feeling jarring.

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I love how it is a full on musical but also an more focused film in terms of pacing and character study. The film evolves at its own pacing which doesn’t feel forced or rushed and then it becomes more about the decisions the characters have to make about their futures and reviewing their hopes and desires. One of my favourite scenes is when Sebastian surprises Mia with a meal when he comes home from tour, it’s a conversational scene where everything is explored (regarding where they’ve come from and where they hope to be in the future) that becomes an argument in a very mature and organic way. The dialogue doesn’t feel overtly sentimental or emotional, the tone is just right. The film can be strong in its musical scenes as well as its character scenes.

Also I love how throwback La La Land is, it has a strong Singin’ in the Rain (1952) vibe and the jazz infused soundtrack is classic and beautiful. Even the instrumental tracks are soothing and exciting, especially the “Epilogue” score. The Oscar winning cinematography is stunning with the vibrant colours and and striking settings (most notably when Mia and Sebastian first dance together after the party they’ve been to and when inside the Planetarium).  Not to mention the incredible Epilogue scene which was very bittersweet, giving the audiences what could have been whilst being bold by saying life doesn’t always go as planned.

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At the end of the day it’s all subjective and down to personal taste. For me The Greatest Showman was a good musical, but nothing more. Where as La La Land for me has so many layers, classic songs and visuals and Oscar winning acting/direction/cinematography. They are both different films in what they are representing and to both of their credit they are original musicals which is always welcome. By all means say how much you enjoyed The Greatest Showman but personally I don’t think it’s the masterpiece audiences have made it out to be.

Feel free to share your opinions!

Top 10 Films of 2017

2017 has been an interesting year for film. It has been a strong year for original films such as Get Out and Baby Driver yet a disappointment when it comes to hyped up blockbusters (with Wonder Woman being the exception). So compiling a list of my favourite films released in 2017 was a tricky one but it made me see that it’s been a great year for independent films and films that have an original story.

Now just to clarify, this list features films released in the UK during the year of 2017. Another disclaimer is that I of course haven’t watched every film released in the UK during the year of 2017 meaning if you think there is an omission from the list it may be because I haven’t watched it.

I’ll start from number 10 and count down to reveal which film I would label as the best film of 2017.

 

10. Get Out

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I was a bit skeptical about this film as I tend not to draw towards horror films so I didn’t see it when it was released in cinemas. However by the critical acclaim and positive responses from audiences that deemed it more than just a “horror film” but a film with a clear message and that had something to say. So when I watched it I was pleasantly surprised how it broke through the label of a “horror film” and managed to make people think and engage in dialogue after the film had finished. Get Out could have been fleshed out a little bit more but I commend the film on its originality and its boldness.

9. The Killing of a Sacred Deer

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The Lobster (2015) was awful. However when I heard Oscar winner Nicole Kidman was in Yorgos Lanthimos’ new film I kept an open mind to this film; not to mention the trailer and concept of the film seemed mysterious and fascinating. It may not be for everyone, but I love and appreciate Yorgos’ assertiveness as a filmmaker and the fact he has a clear vision and does not compromise. The film can be hard to watch at times and is “out there” but it works in this film and all the cast pull it off brilliantly. Speaking of star performances; Barry Keoghan was so good in this film and played the enigmatic character of Martin so well. If you want to switch up your film taste and watch something unconventional; The Killing of a Sacred Deer is perfect for you.

8. mother!

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Again, a very unique and unconventional film. mother! has had a lot of controversy and attention for a whole load of reasons and I knew going into it that the film would be nothing like I’ve seen…but I think if people stood back and took a breath there is something here and something to be admired and appreciated. Oscar winner Jennifer Lawrence can do no wrong; she plays against character at the start and then she comes into her own as the film progresses and when it escalates very quickly. Oscar nominated director Darren Aronofsky is unapologetic about his vision and what he wants to say and that’s what I admire about him and appreciate about this film. This is not a film that you love or hate, it’s a film that provokes an audience. It’s refreshing to see a film go against the mould of the current state of the film industry be proud about it.

7. Thor: Ragnarok

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One of the few blockbusters that I actually enjoyed this year. I have a love/hate relationship with Marvel nowadays because they have become so convoluted; yet Thor: Ragnarok felt fresh and more concise than previous MCU entries. Hunt for the Wilderpeople (2016) director Taika Waititi brings his fresh and colourful sense of humour to this film to make it stand out. Yes this film does feature that forced Marvel sense of humour but the scenes in particular with Thor and The Hulk are ripe with Waititi’s witty dialogue. We have to talk about Oscar winner Cate Blanchett who easily stole the show (I’m praying for a spin-off film of her character Hela) and is hands down one of the best Marvel villains to date. So if you’ve grown tired and weary from the MCU (and I don’t blame you) give this film a chance.

6. Lion

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Inspiring. That’s all I need to say about Lion. The first half containing a phenomenal performance from first time actor and one of the cutest child actors ever: Sunny Pawar playing young Saroo. Then comes along Oscar nominee Dev Patel who plays adult Saroo and gives a career best, not to mention he holds up his own in scenes against Oscar winner Nicole Kidman and Oscar nominee Rooney Mara. This film is full of heartbreak and joy, featuring themes of belonging and identity. Lion is an inspiring story that you can’t believe is true.

5. The Beguiled

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Oscar winner Nicole Kidman. Golden Globe nominee Kirsten Dunst. Elle Fanning. Oscar winner Sophia Coppola directing. These are reasons enough to watch this film. Sophia knows how to make a lean and clean cut film that gives enough tension and mystery without it becoming self indulgent. That’s all I need to say about this film. Basically it’s really good.

4. Wonder Woman

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One of the few blockbusters that actually was quality and had substance. Gal Gadot is perfect as Diana; so authentic and natural in her performance and with her character standing up for what’s right and not accepting anything else but justice. One of the most refreshing superhero films in a long time; because for once it was a superhero film solely about the eponymous character and not featuring a million other superheroes. Patty Jenkins directed an incredible film that focused purely on Diana coming from an island of perfection and having the character evolve as the film progressed to have a rounded and more balanced view of humanity and what her purpose in life is. Three words: No Man’s Land.

3. Baby Driver

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Edgar Wright delivers one of the most vibrant and exciting original films of the year. Golden Globe nominee Ansel Elgort charismatically carries the weight of the film on his shoulders with notable supporting forces from Oscar winner Jamie Fox and Lily James. Baby Driver has you thinking it’s one thing but then it swerves in a different direction. The whole vibe of the film is so cool and smooth and will definitely stay with you after you watch it.

2. La La Land

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La La Land is reminiscent of Hollywood musicals such as Singin’ in the Rain (1952) and yet is relevant to todays audience, enabling it to have its own identity. The film features one of the best soundtracks from Justin Hurwitz, Benji Pasek and Justin Paul but the genius of the film is how it is very character driven and how the tone of the films is effortlessly handled as the film progresses. This Oscar winning, instant classic, musical masterpiece has depth and fully rounded characters and is a film that you have to watch right now.

1. Blade Runner 2049

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As soon as I watched this film I knew it would be my favourite film of the year. Oscar nominee Ryan Gosling is of course a great actor but I have to say, he gives one of his best performances in Blade Runner 2049. He’s a very internal actor and everything is said through his facial expressions and that’s a powerful tool to master. In a year where I’ve been let down by blockbusters, Blade Runner 2049 came along and showed everyone how it should be done: thought provoking, sophisticated, creating the right tone and pace and having a great story. Yes the film is nearly 3 hours long but it was very engrossing and captivating that it didn’t feel that long at all. Denis Villeneuve always has great quality and class to his films, which is why he was the right director for the job to carry on the legacy of Blade Runner (1982). I was always excited for this film but it exceeded my expectations and I’m happy to say that Blade Runner 2049 was my favourite film of 2017.

Now I’m being picky but the reason why La La Land didn’t make number 1 was because whilst it was released in the UK in 2017 its original release was in 2016. It made the list but Blade Runner 2049 was released in October 2017 and therefore is a worthy number 1. 

 

So there you have it. I have given an overview of my favourite films of 2017 and I’m already looking forward to what 2018 has to offer.

Please feel free to comment on what your favourite films have been this year!

3 Standout Blockbusters Of 2017

2017 has so far led me to become a blockbuster cynic who can only enjoy art house films, however there have been a few blockbusters that may save me from that fate. I truly believe that a great film can be delivered in the form of a high budget product because at the end of the day as long as the story and characters are engaging then that’s all that matters. Blockbusters can have depth or they are designed to switch off your brain and just enjoy them for what they are.

Here are three blockbusters that stood out for me this year for various reasons:

The Film X-Men Origins Should Have Been

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Now I’m going to say something controversial: I actually enjoyed X-Men Origins: Wolverine (2009). It’s a fun, standard blockbuster. However unfortunately it is highly regarded as an embarrassment of the X-Men franchise; so that’s why I say Logan is the film that I’m sure people feel best portrayed Wolverine. So we’ve had the false start, the better but still not perfect Wolverine (2013) so in 2017 we see Hugh Jackman let go and embrace the character of Wolverine completely.

When I heard that Logan was going to be stripped back, showing “Old Man Logan” and that it was going to intentionally stand apart from the typical comic book film, I was excited. Finally a comic book film was going to take a risk and show how much can be achieved within the genre.

Logan was a solid effort which not only proved that a superhero film can have depth and be complex, but it also was a credible film in its own right. It was refreshing. That’s why I’m including Logan in this blog post about how it was a standout blockbuster, yet there was something in me from raving about it. This is not a criticism, but it by being very purposeful in being something else it almost felt calculated. Not to mention that the film could have shaved some time off because towards the end the heavy tone started to take a toll.

Overall, I still respect that director James Mangold and leading start Hugh Jackman stood out and were bold and took a risk with this film. I can’t fault them on that and that’s why I like the film. Hopefully it’ll inspire other comic book films to show the scope that you can cover within that “genre”. It certainly has worked as Logan has grossed over $612 worldwide and has received a 93% Rotten Tomato rating, what a great way to see Hugh Jackman wave goodbye to a role of a lifetime.

Fast and Furious 8

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I didn’t even come up with a witty subheading, that’s how easy going and fun Fast and Furious 8 is. I’ve always been cynical of the Fast and Furious franchise for being hollow and brainless (and this is coming from the guy who enjoyed the Michael Bay directed Transformers films), so I stayed away from the film series with no plan to watch them. However, after viewing the eighth instalment with a friend I was happy to be proven wrong. It was fun, brash, crazy, exciting and even though the characters weren’t exactly fleshed out they were formed in a way that allowed us as an audience to care for them and invest in them.

Up until that point no blockbuster this year allowed me to completely let go and suspend my disbelief to enjoy the ride. Does the franchise deserve to gross over $1 billion worldwide? maybe not. That being said, the reason why fans have responded to these films are because these films are the essence of what a blockbuster should be: crazy action and a true form of escapism. I have to give credit to Vin Diesel to producing a film series that has connected with audiences all across the world, not taking things too seriously and just having fun with these characters and crazy adventures.

Winning Wonder Woman

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76 years later after the world was introduced to Wonder Woman and she FINALLY has graced the big screen with her first solo film. After stealing the show from last years Batman v Superman: Dawn of Justice (2016), fans were eager to see her lead her own film and it’s safe to say DC have a winner film on their hands. Already the film is breaking box office records and holds a 93% rating from Rotten Tomatoes. Wonder Woman has grossed over $100 million at the US box office which was the biggest weekend opener for a female director (Patty Jenkins), hopefully this will be a step in the right direction for equality of female representation in film and behind the camera.

Without a doubt Wonder Woman is not only the best blockbuster of 2017 but one of the best superhero films in over 5 years. It was refreshing to see a standalone superhero film which allowed the leading character carry the film solo and completely smash it in the process, I think the last time there was a true standalone superhero film was probably The Dark Knight Rises (2012). Gal Gadot is beyond perfect as Diana, showcasing her amazing acting talent portraying Diana’s incredible character arc with conviction and depth. Diana stands for love, justice and peace and I loved key moments where she didn’t take things lying down but stood up for what she believed in and didn’t think twice about helping others. The action scenes were slick, empowering and epic.

Fast and Furious 8 may be the blockbuster where you switch your brain off and have fun, but Wonder Woman is a blockbuster with heart, depth, emotion AND epic fight sequences and is a true spectacle. It is possible to make a blockbuster with thrills audiences but is also thought provoking and empowering for all. I’m enjoying this moment seeing a superhero film with just one superhero at front and centre before Justice League and co. take over (I am looking forward to Justice League but it’s a sad thought not knowing when the next standalone superhero film will be released).

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The exciting thing to note is that we still have the second half of 2017 to go in order to see what kind of blockbusters will be released. Even if it becomes a rubbish year for blockbusters overall (I doubt it) then at least 2017 gave us Wonder Woman.  

4 Biggest Blockbuster Disappointments Of 2017

 

We’re approaching the halfway mark through the year so I thought it would be appropriate to review the blockbusters that have been released in 2017, sadly it hasn’t been a great year. 2017 isn’t over yet so we still have some potential saving graces in the form of Wonder Woman, Justice League, Star Wars: The Last Jedi, Thor: Ragnarok etc. however I have to say that certain blockbusters that I have seen have not lived up to the hype.

If you want to look at 2017 UK film releases then you would include the multiple award winning films which have been my favourite films of the year, such as: La La Land, Moonlight, Lion, Jackie, Manchester By The Sea, Hidden Figures etc. and thank goodness for these beautiful films as I am starting to lose hope for big budgeted releases. I hope by the end of the year I am proven wrong and can say that great storytelling can be seen in all type of films.

Boring and the Beast

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Let’s start off with one of the most underwhelming and highly overrated release: Beauty and the Beast. Firstly let me state that I am supportive of Disney giving their animated classics the live action treatment (as discussed in my previous post)however with the release of Beauty and the Beast; originality and creativity died and instead it assured Disney to play it safe with their upcoming live action releases. I was excited for the film before its release and I was rooting for Emma Watson as I thought she’d be perfect as Belle, however because the live action took no chances there was no room for mystery and excitement of what was to come in the film.

Interestingly enough the film has become a huge success, which sadly gives Disney permission to keep on playing it safe. The film has revived positive reviews (71% from Rotten Tomatoes) and the film has grossed over $1.2 billion worldwide making it the 10th highest grossing films of all time. Obviously the film has resonated with audiences, so I will respect those who loved the film however I can’t understand how this film has entered the top 10 of the most successful films of all time. I think I’ll stick to the original 1991 animation.

The NOT So Awesome Mix-Tape

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I loved Guardians of the Galaxy (2014) and so did everyone else as the film became a fan favourite and raked in $773 million worldwide. It was unapologetic in how it delivered on the fun and it was an antidote to the ‘serious superhero film’. The sequel had a lot to live up to following the surprise smash hit first film.

After an exhaustive marketing campaign for the sequel the hype and excitement to see the film wore off, but I still wanted to see the film and I really wanted to enjoy it…yet it failed to deliver on the fun and thrills. It went down the cliche route that sequels tend to go down, take what was funny in the first film and crank it up to the highest volume. The comedy was too obvious and stupid at times. I liked Groot in the first film but did I really need to see a baby Groot figure out how to play music against the backdrop of a potentially cool action sequence? and the story was pretty underwhelming. That being said, there were some good some small moments between Gamora and Nebula as well as Yondu and Rocket, these moments allowed for some character development and appreciation. Also I think that Ayesha the Golden Priestess was underused and could have been the main villain.

Of course the film has become a huge success and has grossed over $799 million worldwide (and counting) as well as receiving positive reviews (81% from Rotten Toamtoes)so again there has been a disconnect from what audiences have felt and how I have responded to the film. However despite the fact the sequel wasn’t my favourite Marvel film I am excited for the third film and it will be interesting to see the characters in the upcoming Avengers films, so I haven’t given up on the Guardians of the Galaxy just yet.

Alien: The Pretend Sequel To Prometheus

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I will hold my hands up and say I am not a die hard Alien fan, however I have seen Alien (1979), Aliens (1986) and Prometheus (2012) so I am familiar with the franchise. With Covenant promising to return to the horror element I was interested to see how this film would continue on with what was set out from Prometheus and how it would adopt a grittier and darker style from the previous Alien films. That was the problem, Ridley Scott has openly admitted that Covenant was addressing what die hard Alien fans disliked about Prometheus, basically because there was no huge weird alien lurking round a spaceship. When I watched Prometheus I hadn’t seen any Alien film and that was the time when marketing was saying how the film was not meant to be a direct prequel but a standalone film in the same universe, so I thought I was safe in watching it without feeling left out. Then all of a sudden it WAS part of the Alien franchise, meaning Covenant had to make some major changed to please Alien fans.

Covenant was released 5 years after Prometheus because they were trying to figure out whether to make a direct sequel to Prometheus or give in and be openly part of the Alien world. I was really looking forward to see Dr. Elizabeth Shaw meet the Engineers and find out questions that were posed in Prometheus, the tone of Prometheus was slick and futuristic but no without it’s shocking moments. All I got was some 5 minute YouTube video featuring Shaw and David and limp references to the “failed Prometheus trip”. I think that’s one of the main reasons why I didn’t love Covenant, because it tried to jump full throttle ahead of what was started in Prometheus and tried to connect this film to the Alien universe. However, I enjoyed some moments and Katherine Waterston was the best part about Covenant, and with THAT ending I’m definitely interested to see what Ridley Scott has planned for future instalments.

Kong: The Unnecessary Remake

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For me the ultimate King Kong film is the 2005 remake directed by Oscar winning director Peter Jackson. I remember seeing that film in the cinemas when I was 12 and being blown away, scared and emotionally invested in what was happening in the film. I had to except that a new King Kong was inevitable as it’s not restricted to the 1933 classic nor the 2005 remake but it is a cultural pop icon meaning each generation will revisit the character. That being said I still didn’t see the point of a new Kong film, but that’s just my personal opinion.

I have to give credit to the 2017 film as it was doing its own thing and it wasn’t a remake of any Kong film, that at least allows itself to be set apart and judged on its own merit. The other factor which excited me was how it was set against the backdrop of 1970’s Vietnam war meaning it would be a colourful and vibrant take on the classic monster character. Not to mention a great cast consisting of Oscar winner Brie Larson, John Goodman, Samuel L. Jackson, Tom Hiddleston John C. Reilley etc. However what also retracted me from being full on excited for the film was how it was intended to be part of yet another cinematic universe.

Despite my reservations I have to say I was willing to go in with an open mind and enjoy the film, sadly I was right in not believing in the film. The script was so weak and it was painful seeing brilliant actors deliver superficial and unimagined lines, the story wasn’t engaging and the characters weren’t exactly three dimensional. Yes it’s not a type of film where it requires deep exploration of character however even if it’s up to a popcorn film level standard there has to be some reason to invest and care for any character, sadly I could not have cared less about the fate of the characters. I was most disappointed in Brie Larson as it was such a superficial role that it didn’t live up to the whole ‘having a three dimensional female character in a blockbuster film’, of course it was sad to see them all play uninspired characters.

Again, a blockbuster I didn’t like made money and critics had good things to say about the film; grossing $565 million worldwide and received a 77% rating 77% rating from Rotten Tomatoes.

The only thing I took away from the 2017 version was to watch the Oscar winning 2005 version.

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Hopefully with the release of the already positively reviewed Wonder Woman and future releases in the form of Thor: Ragnarok and Star Wars: The Last Jedi we can reflect upon the year and say there were some standout blockbusters in 2017.

For the next blog post I’ll be writing about the few blockbusters that have actually caught my interest, there’ll be a few surprises in there for you of which blockbusters I loved this year.

Let’s Talk About The Ending Of ‘Nocturnal Animals’ (2016)

*SPOILER ALERT*

 

Nocturnal Animals (2016) is a really interesting film directed by Golden Globe and BAFTA nominated director Tom Ford; it tells the tale of Susan (Amy Adams) receiving a book from ex-husband Edward (Jake Gyllenhaal) which accounts dark and violent themes which makes Susan re-evaluate her life and relationships.

It’s not a perfect film but there’s a lot I admire and respect about it. I loved seeing Amy Adams in this kind of role; she wasn’t playing a likeable character or a character finding redemption but who is living in the shadows of her regrettable actions. Another thing I admired (and had to watch again to fully understand) was how Edward’s book mirrored his relationship with Susan.

Whilst not being perfect, Nocturnal Animals still captivated me by the elegant visuals and music and the hopefulness of seeing resolve and a satisfying conclusion. However the film ends abruptly and you feel like you’ve been lured in by the film only to be dropped suddenly with no warning. At first I was frustrated which evolved into perceiving the ending as a genius move; it shows the power of the film to have an audience feel so invested and immersed in the experience.

Remove The Armour

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Sometimes the best moments are found in the most subtle moments. Over the course of the film Susan has been depicted as unhappy and full of regret, yet she is a successful art gallery owner and she feels some guilt of not feeling happy about her success. She has become a different person from the Susan that we were introduced to in the flashbacks telling the story of the early years of her relationship with Edward. One could argue that in order to mask the hurt and unhappiness from her actions in life she puts on a front looking like she has it all together.

Then there’s a great moment where she removes her lipstick, and a brief smile follows. That simple action was like she was removing the armour that she has been wearing ever since the colossal downfall of her marriage with Edward. It could be argued that she’s hoping to find happiness again by removing her wedding ring and hoping that by reconnecting with him the wrongs of her past can be rectified.

It’s a powerful shot, a dark room with only Susan’s reflection in the mirror to show. Amy Adams can do so much with no words, it’s all in the facial expressions and the lingering shots that convey how she is thinking the evening will go. Will she recapture who she was before and will she learn from her mistakes if she gets a second chance?

The Wait

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This is the moment we’ve all been waiting for: seeing Edward in present day meet up with Susan. After everything that has happened what would they say to each other? The anticipation was high and personally I was intrigued to see how they would act around each other.

Susan rocks up to the most fancy restaurant and is seated at her table, she looks to the door excited to see Edward walk through the door and reconnect. This scene is laid out to be an expected conversational scene, potentially reflecting an earlier scene when they met up for the first time in a restaurant. There’s even a moment where we hear the waitress welcome a gentlemen whilst focusing on Susan’s face, we even hear footsteps only to be let down by finding out it wasn’t Edward. Both the audience and Susan had their hopes built up only to be let down.

Alas, hope fades and reality kicks in as time passes and Edward is nowhere to be seen. From the melted ice in her drink to the fading of her smile to the striking of her bare finger where she removed her wedding ring, Susan detects that this meet up isn’t going to plan.

There Are No Words

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The music by Abel Korzeniowski only amplifies the mood of this scene, starting with some beautiful elegant music which escalates into a more intense sound conveying the rising emotions and tragedy that follows. The heightened sound calms down into the simple sounds of the piano keys, until there is music no more whilst the camera fixates on the heartbroken face of Susan.

The film score perfectly conveys all the emotions that Susan is feeling as no words are spoken. The reason why the music is so elegant and beautiful at the beginning is because there is still hope and an uncertainty of what is to follow, this develops into a more intense sound because there is a worry that there won’t be any resolve for the scene. It’s that scary moment because there may not be a chance of reconciliation, but we can’t give up hope just yet. Then the simple piano key sounds matched with Susan’s distraught face only equates into one thing: She will have to live with the mistakes she has made for the rest of her life. It’s a incredible simple yet powerful moment where the penny has dropped for Susan and she knows there is no turning back and that there’s nothing she can do to make Edward forgive her.

Because there are no spoken words we see Amy Adams give an acting masterclass of saying so much through no dialogue. From her eye glances to her many facial expressions conveying hope, sadness, regret, uncertainty etc. As an audience member you are fixated on her face as you want to try and understand everything that Susan is feeling in that moment. Amy Adams does this perfectly and with the music to support her it all equals to an emotionally powerful and delicate scene.

Bold

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I loved the bold ending of showing Susan to have no redemption in her character arc. You watch the whole film seeing how Susan is living a life of deep regret which prevents her from finding peace and happiness even though on paper she has her life together. I love Amy Adams, she is one of the best actors around and I loved how she played a character who wasn’t meant to be likeable. Amy Adams played a character who not only makes mistakes but will never have the chance to make things right or tragically may not find happiness because our actions have consequences. It’s bold just leaving Susan alone in that restaurant letting everything sink in.

What did you think of the ending? Did you appreciate what Tom Ford was going for or would you like to have had more of a concrete ending. Feel free to comment and share your opinions.

Beauty and the Beast (2017) Film Review

3/5 stars

Unless you’ve also been trapped in Beast’s castle then you’ll know that Disney are hard at work by revisiting their animated classics in live action format. This can be traced back to the billion dollar grossing Alice in Wonderland (2010) which was followed by Maleficent in 2014. Not crediting Cinderella (2015) completely to Disney’s now traditional approach to revisiting its animated classics, however since then we’ve seen Disney take less risks with remaking its animations.

Ever since the beginning of 2015 when Emma Watson was cast as Belle in the live action Beauty and the Beast, the hype has been high and audiences have been eagerly awaiting Disney’s new interpretation of it’s 1991 classic. For years I’ve been looking forward to this film, but months before once all of the promotional material was being released I had this sense that it wouldn’t be the grand and extravagant remake I was hoping for…sadly I was right.

TALE AS OLD AS TIME

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Starting with the positives I thought the film looked the part. Visually it was eye catching and I thought they captured the look and vibe of the original quite well. The characters of Lumière, Cogsworth, Mrs. Potts, Chip etc. were all effortlessly integrated with the live action characters (something I felt that The Jungle Book – 2016 failed to do with its CGI animals and live action characters) and I thought those characters were fun to watch and it wasn’t a huge let down from the animated versions of these characters.

With $462 million worldwide (against a $160 million budget) at the Box Office (so far) and with a 70% rating on Rotten Tomatoes, fans are clearly loving this film (for some reason). It is a tale that is as old as time (1991 feels like a century ago to most people) and since the animation’s release it has always been a part of people’s childhoods and it has grown up with people still retaining it’s relevant and popular appeal. My worry is that now Disney see that being unoriginal and not taking chances works, they’ll rehash it’s upcoming live action adaptations. I guess from a business point of view fair enough but where are the visionaries that want to do something exciting and new meaning that it can stand side by side with the originals and now replace them.

GASTON THE MOVIE: FEAUTRING BEAUTY AND THE BEAST

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If I had to single one performance out as the most committed and most convincing it was Luke Evans as Gaston. He played the arrogant bachelor to perfection, down to his singing and characterisation it was flawless. Out of all the cast I felt Luke Evans was the only one who gave 100% and the scenes with him in were more exciting than others…and that’s saying something when you’re meant to be watching the film for the leading performances of Belle and Beast.

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Speaking of the cast; Emma Watson is a great actress (she was amazing in Perks of being a Wallflower -2012 and The Bling Ring – 2013) and on paper she IS Belle. However, there were moments (especially the first half or so) where her performance felt half hearted. I know she’s singing about how everyone are peasants and she’s superior to everyone but even the animated Belle seemed more kind to the locals and in general the animated Belle was more fun to watch. It was rise and fall with Emma’s performance; the iconic ballroom scene and when she goes back to her provincial town to rescue her father were the highlights of her performance. She wasn’t bad but I expected more from her (no offence but after watching her performance as Belle I’m happy she dropped out of La La Land – 2016 for Oscar winner Emma Stone to replace her). I would say Dan Stevens as the Beast was slightly better with his performance, but I would argue that the animation team who worked on his look did an amazing job of effortlessly blending his character with the live action characters. Overall, not exactly the most exciting leading couple that have graced our screens.

TAKE CHANCES

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I will be that person that says that the animation is far more superior than the 2017 live action remake. The original is more atmospheric, dramatic, emotional, heartwarming and grand in everything from its characters to the look of the film. In 1992 Beauty and the Beast became the first animation to be nominated an Oscar for Best Picture, I seriously doubt this new version will have anywhere near that same impact today. This is why it should have done differently so that it honours the original but offers something new to today’s audience. Scenes like when Belle runs on the hill and sings, Beast offering Belle the library, even the iconic ballroom dance scene etc. were adapted half heartedly and it almost felt like they were just there because the audience were expecting them to feature in the film. The animation did all of those scenes and more with a sense of grandeur and wonder. The danger rehashing everything from the animation is the audience knows what to expect so there’s no sense of mystery and wonder.

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I understand that director Bill Condon was unapologetic about honouring the 1991 animation with only the addition of a few new songs (which added nothing new to the film) and Emma Watson’s few tweaks (which were hardly revolutionary to the character) however I would have loved it if Disney took a risk and brought something new to the table. The reason why Alice in Wonderland (2010) and Maleficent (2014) worked so well, in my opinion, was because they took a new approach to a tale that in embedded in our brains from childhood. I have no issues with remakes, only if they offer something unique and something that is worth watching again in a different format. I would have loved to see Guillermo del Toro’s version as he definitely would have bright a refreshing take of a tale so universally known and loved. Sadly he departed from the project a few years ago making way for Bill Condon to direct his unoriginal remake.

I’ve heard about a live action update for several years and I thought the decision to approach the remake in a more traditional manner was more down to the the success of Cinderella (2015) however I read that Bill Condon decided to take less chances after the success of Frozen (2013):

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“Before I arrived, they were rethinking Beauty and the Beast more radically, more like Snow White and the Huntsman. There was a lot of conversation about the War of the Austrian Succession that didn’t interest me. But then after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially they said, “We’re interested in a musical to a degree, but only half full of songs.” My interest was taking that film and doing it in this new medium — live action — as a full-on musical movie. So I backed out for a minute, and they came back and said, “No, no, no, we get it, let’s pursue it that way.” 

Even without Guillermo del Toro we could have seen a more radical and exciting version of Beauty and the Beast, because the story is far bigger than Disney itself so why not try something new?

I’ve expressed my fears for what impact the success of this film may have, however overall I would say it’s a enjoyable film which is easy and fun to watch. But it’s worrying that 26 years later Disney we’re basically seeing Disney revisit their greatest hits in the most unoriginal way possible. My advice is watch this film so you can tick it off your list, it’s not a total waste of your time, but please watch the original animation as it’s far more impactful than the 2017 version.

I See The Light Of TANGLED (2010)

I See The Light has to be one of the most stunning Disney songs and is the part of the most breathtaking scene in the film. The song was nominated for an Oscar in 2011 (I love Toy Story 3 – 2010 but in my opinion I See The Light is superior to We Belong Together) and is the jewel of the film. Thankfully there are plenty of heartwarming, light, dramatic moments in the film and instead of doing a formal film review, I would like to single out three scenes that represent what a quality film Tangled is.

When Will My Life Begin?

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The opening song in this scene is a great way to kickstart what I would consider to be the best soundtrack to a Disney animation. Rapunzel is introduced to us as her teenage self, and she basically gives us a run down of her day to day activities in the most fun way possible. Whilst on the surface it seems like a nice montage, there’s a lot you can actually unpack.

Let’s talk about the elephant in the room; yes, many may question Rapunel’s spirited nature despite her oppressive circumstance. However, this is a Disney film and some could argue if that’s the only life she’s only ever known then I guess she is the walking example of ignorance is bliss (to be fair she has a nice set up).

As soon as you hear the first strums of the guitar strings, you’re instantly put in a good mood. I love the pop vibe that the soundtrack has, filled with hit worthy songs. I love the humour in this scene and that is credit to Pascal (my favourite sidekick, levelled with Maximus) as he doesn’t need to speak because his face says it all. There are moments in the song where Rapunzel uses him to be a puppet for ventriloquy purposes; from him holding a candle triple the size of him to my favourite part…him being in a dress. This shows the unique friendship between the two because Pascal is willing to do anything for Rapunzel. The montage is so quick that it’s only when you actually stop to think about those small moments that it makes you smile and laugh.

As mentioned previously, this scene does give the whole being “locked up in a tower” thing quite the glossy makeover. However Disney acknowledges the truth of her situation by representing her as someone who knows there is more in life. Despite the fact that Rapunzel has made the best out of her indoor situation she still longs for the outside world and her only dream is to see the lights that appear on her birthday. There’s something missing from her life and though she doesn’t know the details as to why, she has a basic understanding that there is something better for her out in the world.

I’ve Got A Dream

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This is such a hilarious scene; Rapunzel and her innocence captivates the group of thugs and eventually she unearths the soft core in all of them. My favourite moment of this scene is when Rapunzel silences the whole pub by summarising her dream of seeing the lanterns and appealing to them by exclaiming, “Find your humanity!” She shows courage and is not afraid to let anyone stop her from fulfilling her dreams.

What seemed to be a rough establishment actually transforms into an almost therapy-like session. Through song and dance, and through sharing everyone’s dreams, the scene counteracts the brutal outward appearances. I love the juxtapositions in this scene. We see a big rough guy singing about his love of being a pianist, others singing about their love of ceramic unicorns and baking. It’s a total subversion of the stereotypes of masculinity but overall the scene is a lot of fun.

In turn, I love how Rapunzel isn’t fazed by her surroundings and saw something in the thugs that others didn’t see. There’s a funny moment where Flynn’s confused facial expression on his face perfectly conveys his confusion as to why this rough crowd is singing about their hobbies all of a sudden. He’s basically mirroring the audience, and that’s what makes this scene genius, it turns expectations of their heads and shows how we can’t judge things from their outward appearance.

I See The Light

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This scene showcases the captivating power that animation has and in my opinion displays Disney as the forefront of animation. Watch it and you’ll understand why I’ve selected this scene to showcase why I believe Tangled is truly one of best Disney films.

There is such an innocence and heartwarming feeling. The fact that Flynn and Rapunzel are naturally falling in love with each other after spending quality time together beforehand makes it feels organic and natural. This scene, in a way, is also the emotional climax of the film in a way. Rapunzel asks Flyn what will happen if this dream she’s had her entire life doesn’t live up to her expectations, to which Flynn reassures her it will be. It is the most sincere moment of this scene:

“…and what if it is? What do I do then?”

Flynn: “Well that’s the good part I guess, you get to go and find a new dream.”

Cue the most mesmerising scene is animation with the glowing lanterns creating a warm and atmospheric feeling, not to mention the beautiful song that is being sung by the two leads. The film has been leading up to this moment and it means a lot to see Rapunzel being lost in the moment and achieving her dream.

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You may have guessed it but I would have to say Tangled is my favourite Disney film. I honestly could have written a lot more to further back up my claim but the best way to convince you is to watch the film itself. Of course films like The Lion King (1994), Beauty and the Beast (1991) and The Little Mermaid (1989) etc. are iconic and classics but Tangled incorporates classic Disney conventions whilst being modern and exciting (after all I did mention that it would be my Desert Island Movie in my previous post).

It would be criminal of me to leave out mentions of other brilliant moments from Tangled, so here they are in a nutshell:

Honorable Mentions

  • I am a despicable human being/BEST DAY EVERRR!
  • “Mother Knows Best” scene.
  • Rapunzel and Pascal interrogate Flynn.
  • Maximus and Flynn have to settle their differences for a day to make Rapunzel’s birthday one to remember.
  • “Rapunzel Know’s Best” scene.
  • THE WHOLE FILM!