2017 has so far led me to become a blockbuster cynic who can only enjoy art house films, however there have been a few blockbusters that may save me from that fate. I truly believe that a great film can be delivered in the form of a high budget product because at the end of the day as long as the story and characters are engaging then that’s all that matters. Blockbusters can have depth or they are designed to switch off your brain and just enjoy them for what they are.
Here are three blockbusters that stood out for me this year for various reasons:
The Film X-Men Origins Should Have Been
Now I’m going to say something controversial: I actually enjoyed X-Men Origins: Wolverine (2009). It’s a fun, standard blockbuster. However unfortunately it is highly regarded as an embarrassment of the X-Men franchise; so that’s why I say Logan is the film that I’m sure people feel best portrayed Wolverine. So we’ve had the false start, the better but still not perfect Wolverine (2013) so in 2017 we see Hugh Jackman let go and embrace the character of Wolverine completely.
When I heard that Logan was going to be stripped back, showing “Old Man Logan” and that it was going to intentionally stand apart from the typical comic book film, I was excited. Finally a comic book film was going to take a risk and show how much can be achieved within the genre.
Logan was a solid effort which not only proved that a superhero film can have depth and be complex, but it also was a credible film in its own right. It was refreshing. That’s why I’m including Logan in this blog post about how it was a standout blockbuster, yet there was something in me from raving about it. This is not a criticism, but it by being very purposeful in being something else it almost felt calculated. Not to mention that the film could have shaved some time off because towards the end the heavy tone started to take a toll.
Overall, I still respect that director James Mangold and leading start Hugh Jackman stood out and were bold and took a risk with this film. I can’t fault them on that and that’s why I like the film. Hopefully it’ll inspire other comic book films to show the scope that you can cover within that “genre”. It certainly has worked as Logan has grossed over $612 worldwide and has received a 93% Rotten Tomato rating, what a great way to see Hugh Jackman wave goodbye to a role of a lifetime.
Fast and Furious 8
I didn’t even come up with a witty subheading, that’s how easy going and fun Fast and Furious 8 is. I’ve always been cynical of the Fast and Furious franchise for being hollow and brainless (and this is coming from the guy who enjoyed the Michael Bay directed Transformers films), so I stayed away from the film series with no plan to watch them. However, after viewing the eighth instalment with a friend I was happy to be proven wrong. It was fun, brash, crazy, exciting and even though the characters weren’t exactly fleshed out they were formed in a way that allowed us as an audience to care for them and invest in them.
Up until that point no blockbuster this year allowed me to completely let go and suspend my disbelief to enjoy the ride. Does the franchise deserve to gross over $1 billion worldwide? maybe not. That being said, the reason why fans have responded to these films are because these films are the essence of what a blockbuster should be: crazy action and a true form of escapism. I have to give credit to Vin Diesel to producing a film series that has connected with audiences all across the world, not taking things too seriously and just having fun with these characters and crazy adventures.
Winning Wonder Woman
76 years later after the world was introduced to Wonder Woman and she FINALLY has graced the big screen with her first solo film. After stealing the show from last years Batman v Superman: Dawn of Justice (2016), fans were eager to see her lead her own film and it’s safe to say DC have a winner film on their hands. Already the film is breaking box office records and holds a 93% rating from Rotten Tomatoes. Wonder Woman has grossed over $100 million at the US box office which was the biggest weekend opener for a female director (Patty Jenkins), hopefully this will be a step in the right direction for equality of female representation in film and behind the camera.
Without a doubt Wonder Woman is not only the best blockbuster of 2017 but one of the best superhero films in over 5 years. It was refreshing to see a standalone superhero film which allowed the leading character carry the film solo and completely smash it in the process, I think the last time there was a true standalone superhero film was probably The Dark Knight Rises (2012). Gal Gadot is beyond perfect as Diana, showcasing her amazing acting talent portraying Diana’s incredible character arc with conviction and depth. Diana stands for love, justice and peace and I loved key moments where she didn’t take things lying down but stood up for what she believed in and didn’t think twice about helping others. The action scenes were slick, empowering and epic.
Fast and Furious 8 may be the blockbuster where you switch your brain off and have fun, but Wonder Woman is a blockbuster with heart, depth, emotion AND epic fight sequences and is a true spectacle. It is possible to make a blockbuster with thrills audiences but is also thought provoking and empowering for all. I’m enjoying this moment seeing a superhero film with just one superhero at front and centre before Justice League and co. take over (I am looking forward to Justice League but it’s a sad thought not knowing when the next standalone superhero film will be released).
The exciting thing to note is that we still have the second half of 2017 to go in order to see what kind of blockbusters will be released. Even if it becomes a rubbish year for blockbusters overall (I doubt it) then at least 2017 gave us Wonder Woman.